A study found that those on MDMA were far more open and forthcoming at cooperating with others, they weren’t naïve or duped.
Nicknamed the “hug drug”, MDMA—better known as ecstasy—fueled the ’90s club scene across New York, Ibiza, London, and other party capitals, helping define a decade’s worth of rave culture. But despite its prevalence, scientists don’t really understand how the illegal substance works.
It’s long been understood that MDMA can help with treatment of post-traumatic stress disorder (PTSD), but how or why remains a mystery. So, when a team of researchers at a university in the UK administered 100mg of MDMA to a group of men it was big news when they discovered it had an impact on the participants’ decision-making abilities.
Dividing the participants up into a control group and those to be given MDMA, researchers asked the participants to play a game, marking each other for being trustworthy or untrustworthy. While those on MDMA were far more open and forthcoming at cooperating with their opponents, they weren’t naïve or duped by them.
Above The Fold

Sam Contis Studies Male Seclusion

Slava Mogutin: “I Transgress, Therefore I Am”

The Present Past: Backstage New York Fashion Week Men’s Spring/Summer 2018

Pierre Bergé Has Died At 86

Falls the Shadow: Maria Grazia Chiuri Designs for Works & Process

An Olfactory Memory Inspires Jason Wu’s First Fragrance

Brave New Wonders: A Preview of the Inaugural Edition of “Close”

Georgia Hilmer’s Fashion Month, Part One

Modelogue: Georgia Hilmer’s Fashion Month, Part Two

Surf League by Thom Browne

Nick Hornby: Grand Narratives and Little Anecdotes

The New Helmut

Designer Turned Artist Jean-Charles de Castelbajac is the Pope of Pop

Splendid Reverie: Backstage Paris Haute Couture Fall/Winter 2017

Tom Burr Cultivates Space at Marcel Breuer’s Pirelli Tire Building

Ludovic de Saint Sernin Debuts Eponymous Collection in Paris

Peaceful Sedition: Backstage Paris Fashion Week Men’s Spring/Summer 2018

Ephemeral Relief: Backstage Milan Fashion Week Men’s Spring/Summer 2018

Olivier Saillard Challenges the Concept of a Museum

“Not Yours”: A New Film by Document and Diane Russo

Introducing: Kozaburo, 2017 LVMH Prize Finalist

Introducing: Marine Serre, 2017 LVMH Prize Finalist

Conscious Skin

Escapism Revived: Backstage London Fashion Week Men’s Spring/Summer 2018

Introducing: Cecilie Bahnsen, 2017 LVMH Prize Finalist

Introducing: Ambush, 2017 LVMH Prize Finalist

New Artifacts

Introducing: Nabil Nayal, 2017 LVMH Prize Finalist

Bringing the House Down

Introducing: Molly Goddard, 2017 LVMH Prize Finalist

Introducing: Atlein, 2017 LVMH Prize Finalist

Introducing: Jahnkoy, 2017 LVMH Prize Finalist

LVMH’s Final Eight

Escaping Reality: A Tour Through the 57th Venice Biennale with Patrik Ervell

Adorned and Subverted: Backstage MB Fashion Week Tbilisi Autumn/Winter 2017

The Geometry of Sound

Klaus Biesenbach Uncovers Papo Colo’s Artistic Legacy in Puerto Rico’s Rainforest

Westward Bound: Backstage Dior Resort 2018

Artist Francesco Vezzoli Uncovers the Radical Images of Lisetta Carmi with MoMA’s Roxana Marcoci

A Weekend in Berlin

Centered Rhyme by Elaine Lustig Cohen and Hermès

How to Proceed: “fashion after Fashion”

Robin Broadbent’s Inanimate Portraits

“Speak Easy”

Revelations of Truth

Re-Realizing the American Dream

Tomihiro Kono’s Hair Sculpting Process

The Art of Craft in the 21st Century

Strength and Rebellion: Backstage Seoul Fashion Week Autumn/Winter 2017

Decorative Growth

The Faces of London

Document Turns Five

Synthesized Chaos: “Scholomance” by Nico Vascellari

A Whole New World for Janette Beckman

New Ceremony: Backstage Paris Fashion Week Autumn/Winter 2017

New Perspectives on an American Classic

Realized Attraction: Backstage Milan Fashion Week Autumn/Winter 2017

Dematerialization: “Escape Attempts” at Shulamit Nazarian

“XOXO” by Jesse Mockrin

Brilliant Light: Backstage London Fashion Week Autumn/Winter 2017

The Form Challenged: Backstage New York Fashion Week Autumn/Winter 2017

Art for Tomorrow: Istanbul’74 Crafts Postcards for Project Lift

Inspiration & Progress

Paskal’s Theory of Design

On the Road

In Taiwan, American Designer Daniel DuGoff Finds Revelation

The Kit To Fixing Fashion

The Game Has Changed: Backstage New York Fashion Week Men’s Autumn/Winter 2017

Class is in Session: Andres Serrano at The School

Forma Originale: Burberry Previews February 2017

“Theoria”

Wearing Wanderlust: Waris Ahluwalia x The Kooples

Approaching Splendor: Backstage Paris Haute Couture Spring/Summer 2017

In Florence, History Returns Onstage

An Island Aesthetic: Loewe Travels to Ibiza

Wilfried Lantoine Takes His Collection to the Dancefloor

A Return To Form: Backstage New York Fashion Week Spring/Summer 2018

20 Years of Jeremy Scott

Offline in Cuba

Distortion of the Everyday at Faustine Steinmetz

Archetypes Redefined: Backstage London Fashion Week Spring/Summer 2018

Spring/Summer 2018 Through the Lens of Designer Erdem Moralıoğlu

A Week of Icons: Backstage Milan Fashion Week Spring/Summer 2018

Toasting the New Edition of Document

Embodying Rick Owens

Prada Channels the Wonder Women Illustrators of the 1940s

Andre Walker’s Collection 30 Years in the Making

Fallen From Grace, An Exclusive Look at Item Idem’s “NUII”

Breaking the System: Backstage Paris Fashion Week Men’s Autumn/Winter 2017

A Modern Manufactory at Mykita Studio

A Wanted Gleam: Backstage Milan Fashion Week Men’s Autumn/Winter 2017

Fashion’s Next, Cottweiler and Gabriela Hearst Take International Woolmark Prize

Beauty in Disorder: Backstage London Fashion Week Men’s Autumn/Winter 2017

“Dior by Mats Gustafson”

Prada’s Power

George Michael’s Epochal Supermodel Lip Sync

The Search for the Spirit of Miss General Idea

A Trace of the Real

Wear and Sniff

Underwater, Doug Aitken Returns to the Real
Another development in understanding how MDMA changes our social interactions: just last month, the drug made headlines when a group of scientists gave it to octopuses, making the arthropods more touchy feely. “They’re basically hugging the [cage] and exposing parts of their body that they don’t normally expose to another octopus,” Gül Dölen, a neuroscientist at the Johns Hopkins University School of Medicine and one of the researchers behind the study, told The Guardian.
In another interview with the Scientific American, Dölen remarked it was a step forward in using MDMA for clinical reasons: “These findings could help scientists better understand social behavior, as well as give clues about possible treatments for serotonin-related human conditions like schizophrenia and PTSD.”
Just before the United States banned the substance in the late ’70s and early ’80s, a few dozen psychotherapists in the US used it in psychotherapy because of its benign, feeling-enhancing, and nonhallucinatory properties.
By 1985, when the ban was passed thanks to an emergency action, The New York Times reported that despite the drug’s new criminal status, research into its potential medicinal benefits would remain underway: “Ecstasy, whose scientific name is 3,4 methylenedioxymethamphetamine, will continue to undergo tests while the emergency ban remains in effect for one year. Some psychotherapists maintain that the drug creates a feeling of well-being in patients, making them more receptive to treatment.
But the race to uncover the drug’s hidden potential has been expedited by serval recent scientific revelations. In August last year, the FDA granted MDMA “breakthrough therapy” status in the treatment of PTSD. The new classification acknowledges that MDMA has the potential to treat life-threatening mental health conditions, and helps the FDA prioritize when and how they develop it for clinical use.