Above the Fold
‘DEATHWORK’ is Kamixlo’s ode to the angels of noise
The Brixton-based DJ and producer discusses his sophomore album’s genre-rebelling mix of existential introspection and rave-ready beats
by Sofi Cisneros
Above the Fold
Fine Print: The crónica as daily epic
In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays
by Drew Zeiba
Above the Fold
‘National Anthem’ is a portal into the beauty of queer rural America
Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen
by Olivia Treynor
Above the Fold
Joshua Serafin’s ‘VOID’ mines the elemental, ancestral, and transmigratory experience of their ancestry
Document joins the artist to discuss the speculative future realms of Indigenous Filipino spirituality in their most recent video installation and live performance
by Sam Ozer
Above the Fold
Benjamin Fredrickson’s ‘Wedgies’ turn schoolyard antics into ass-up uncanniness
Document joins the New York-based artist for a sweaty rooftop shoot ahead of the release of his latest photo book
by Minh Le