Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer Documented Borderlands: Mitch Epstein’s portfolio of America’s changing physical and social landscape From gun-toting ranchers to sweeping mountain vistas, the photographer unravels the implicit and explicit politics of the US-Mexico border. by Drew Sawyer Documented Ming Smith’s ‘Strange Fruit’ reveals the specters of American history The photographer’s experiments in shadow and light reform gender and racial boundaries in a portfolio for Document S/S 2019. by Drew Sawyer Documented Liz Johnson Artur captures black love and non-binary nightlife in London The Russian-Ghanaian photographer presents her portfolio ‘Return to Forever’ for Document's Fall/Winter 2018 issue. by Drew Sawyer Documented Katharina Grosse rejects your idea that painting is archaic Known for work that takes place on a captivating scale, the painter discusses a technique that operates far beyond the realm of one dimension for... by Drew Sawyer At Large Pieter Hugo on ‘Victory of Youth,’ his exclusive collaboration with Nike and Riccardo Tisci The acclaimed photographer sits down with art editor Drew Sawyer to discuss his exclusive latest work for Nike and Document Books by Drew Sawyer Documented Tartan, Geneva, New York by Lyle Ashton Harris Lyle Ashton Harris revisits his archive to document "ephemeral moments" of the 1980's and 90's for this Document portfolio by Drew Sawyer Above the Fold Sam Contis Studies Male Seclusion Document's Drew Sawyer speaks with the photographer about her new exhibition at the Berkeley Art Museum and Pacific Film Archive. by Drew Sawyer Documented “The Crosby Hotel Suite Drawings” by George Condo See the exclusive portfolio from Document's SS 2017 issue, timed with an extensive survey of the artist at the Phillips Collection in Washington, D.C. by Drew Sawyer Conversations Douglas Crimp and Malik Gaines on Queer Liberation and the Decline of Radicalism The cultural critic and artist discuss Crimp's new memoir "Before Pictures" in issue no. 9 of Document. by Drew Sawyer Conversations Lanvin’s Lucas Ossendrijver speaks of space and the functionality of design with artist Oscar Tuazon. The longtime friends met to discuss the craft of fashion and creating a place of one's own. by Drew Sawyer Conversations Documentary Practices: Quentin Bajac & LaToya Ruby Frazier MoMA chief curator of photography Quentin Bajac and artist LaToya Ruby Frazier explore the role of photography. by Drew Sawyer Above the Fold New African Photography Saturday, May 7th, marks the curatorial debut between Red Hook Labs and new global media platform Nataal, highlighting contemporary African photography, fashion, music, and arts. by Drew Sawyer Documented Surface and Depth Ahead of photographer Willa Nasatir's first solo exhibition at Albright-Knox, Document presents an exclusive portfolio of her work. by Drew Sawyer Above the Fold An Inaugural Opening; Benoît Platéus at Skibum MacArthur Like so many artists and art dealers, Kibum Kim—a lawyer, a faculty member of Art Business at Sotheby's Institute of Art, and the co-founder of... by Drew Sawyer Above the Fold The Not So Simple Life: Buck Ellison on his solo show “Country Day” Drew Sawyer chatted with the Buck Ellison about his current solo exhibition, Country Day. by Drew Sawyer Above the Fold Photography at MoMA At the end of this month, The Museum of Modern Art, long considered the arbitor of contemporary photography, will release the first of a three... by Drew Sawyer Documented Using written language, Jenny Holzer asks us to question mass media portrayals of the ‘war on terror’ The artist meditates on biased media, state-sanctioned torture, and government censorship in this Document exclusive portfolio from the Fall/Winter 2015 issue. by Drew Sawyer Above the Fold Willa Nasatir’s Spectral Images New York-based artist Willa Nasatir makes seductive still lifes in which objects, bodies, and their traces meld into otherworldly photographic images. For the launch of... by Drew Sawyer Above the Fold James Welling’s Wyeth Series at the Brandywine River Museum of Art In 2010, the Connecticut-born artist James Welling began a series of photographs inspired by the paintings of Andrew Wyeth. Welling is known for numerous experiments... by Drew Sawyer Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer Above the Fold Gavin Brown’s enterprise bids farewell to its West Village Gallery with Jannis Kounellis Gavin Brown’s enterprise, the perennially hip downtown art gallery, recently announced it would be moving to Amsterdam Ave. and 126th Street, adjacent to Columbia University’s... by Drew Sawyer Above the Fold Haunted: Michaël Borremans’ Enigmatic Art For nearly 20 years, the Belgium artist Michaël Borremans has been producing a surreal body of work in painting, drawing, and film that simultaneously mines... by Drew Sawyer Documented Barbara Kasten: Refracted Light Since the late 70s, Chicago-based artist Barbara Kasten has produced photographic work that exploits the medium’s inherent tension between representation and abstraction. by Drew Sawyer Documented Sibylle Bergemann: A Spectre in East Berlin OSMOS Address presents the first solo exhibition in New York of Sibylle Bergemann (1941-2010). by Drew Sawyer Above the Fold Lynn Hershman Leeson: Origins of the Species Since the late '90s, the American artist and filmmaker Lynn Hershman Leeson has gained international acclaim for her feminist science-fiction movies starring Tilda Swinton, such... by Drew Sawyer Above the Fold A Visit to the Los Angeles Art Book Fair This past weekend marked the third installment of the Los Angeles Art Book Fair, organized by New York’s Printed Matter. Over 250 exhibitors from around... by Drew Sawyer Above the Fold Ryan McNamara and Curator Piper Marshall on Performance Art in Museums and McNamara’s New Show Last Thursday, Mary Boone Gallery opened Gently Used, an exhibition of new works by Ryan McNamara. Known for his site-specific performances, McNamara has produced new... by Drew Sawyer Above the Fold The Shandaken Project Three-Year Retrospective by Drew Sawyer Documented Architect Peter Marino Selects Rarely Seen Images From Tom of Finland’s Own Archive for Document Peter Marino selects rarely seen images from Tom of Finland’s own archive for Document, and traces the artist’s influence on Robert Mapplethorpe and himself. by Drew Sawyer Above the Fold Day With(out) Art December 1st marks the 25th anniversary of Day With(out) Art, a program initiated by Visual AIDS in 1989 as a day of action and remembrance... by Drew Sawyer Documented Avery Singer’s Computer World The artist realizes performative figures within unrealized buildings, created with Google SketchUp and rendered by hand. She shares these works in Document's Fall/Winter 2014 issue. by Drew Sawyer Above the Fold Anne Collier—woman with a camera The artist's first museum survey, organized by the MCA Chicago, highlights her unique contribution to 21st-century art while looking to the visual culture of the... by Drew Sawyer At Large Robert Heinecken implicates himself in a vast system of sex, money, and power with his ‘comprimised’ magazines A portfolio from Document's Spring/Summer 2014 issue pays tribute to the pioneer of appropriation art whose his altered magazines, culled directly from mass media and... by Drew Sawyer Above the Fold An Art Showdown at Paramount Ranch During the last weekend in January, while visitors flocked to Printed Matter's LA Art Book Fair downtown, more adventurous and in-the-know art lovers made the... by Drew Sawyer Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer
Above the Fold Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming by Drew Sawyer
Documented Borderlands: Mitch Epstein’s portfolio of America’s changing physical and social landscape From gun-toting ranchers to sweeping mountain vistas, the photographer unravels the implicit and explicit politics of the US-Mexico border. by Drew Sawyer
Documented Ming Smith’s ‘Strange Fruit’ reveals the specters of American history The photographer’s experiments in shadow and light reform gender and racial boundaries in a portfolio for Document S/S 2019. by Drew Sawyer
Documented Liz Johnson Artur captures black love and non-binary nightlife in London The Russian-Ghanaian photographer presents her portfolio ‘Return to Forever’ for Document's Fall/Winter 2018 issue. by Drew Sawyer
Documented Katharina Grosse rejects your idea that painting is archaic Known for work that takes place on a captivating scale, the painter discusses a technique that operates far beyond the realm of one dimension for... by Drew Sawyer
At Large Pieter Hugo on ‘Victory of Youth,’ his exclusive collaboration with Nike and Riccardo Tisci The acclaimed photographer sits down with art editor Drew Sawyer to discuss his exclusive latest work for Nike and Document Books by Drew Sawyer
Documented Tartan, Geneva, New York by Lyle Ashton Harris Lyle Ashton Harris revisits his archive to document "ephemeral moments" of the 1980's and 90's for this Document portfolio by Drew Sawyer
Above the Fold Sam Contis Studies Male Seclusion Document's Drew Sawyer speaks with the photographer about her new exhibition at the Berkeley Art Museum and Pacific Film Archive. by Drew Sawyer
Documented “The Crosby Hotel Suite Drawings” by George Condo See the exclusive portfolio from Document's SS 2017 issue, timed with an extensive survey of the artist at the Phillips Collection in Washington, D.C. by Drew Sawyer
Conversations Douglas Crimp and Malik Gaines on Queer Liberation and the Decline of Radicalism The cultural critic and artist discuss Crimp's new memoir "Before Pictures" in issue no. 9 of Document. by Drew Sawyer
Conversations Lanvin’s Lucas Ossendrijver speaks of space and the functionality of design with artist Oscar Tuazon. The longtime friends met to discuss the craft of fashion and creating a place of one's own. by Drew Sawyer
Conversations Documentary Practices: Quentin Bajac & LaToya Ruby Frazier MoMA chief curator of photography Quentin Bajac and artist LaToya Ruby Frazier explore the role of photography. by Drew Sawyer
Above the Fold New African Photography Saturday, May 7th, marks the curatorial debut between Red Hook Labs and new global media platform Nataal, highlighting contemporary African photography, fashion, music, and arts. by Drew Sawyer
Documented Surface and Depth Ahead of photographer Willa Nasatir's first solo exhibition at Albright-Knox, Document presents an exclusive portfolio of her work. by Drew Sawyer
Above the Fold An Inaugural Opening; Benoît Platéus at Skibum MacArthur Like so many artists and art dealers, Kibum Kim—a lawyer, a faculty member of Art Business at Sotheby's Institute of Art, and the co-founder of... by Drew Sawyer
Above the Fold The Not So Simple Life: Buck Ellison on his solo show “Country Day” Drew Sawyer chatted with the Buck Ellison about his current solo exhibition, Country Day. by Drew Sawyer
Above the Fold Photography at MoMA At the end of this month, The Museum of Modern Art, long considered the arbitor of contemporary photography, will release the first of a three... by Drew Sawyer
Documented Using written language, Jenny Holzer asks us to question mass media portrayals of the ‘war on terror’ The artist meditates on biased media, state-sanctioned torture, and government censorship in this Document exclusive portfolio from the Fall/Winter 2015 issue. by Drew Sawyer
Above the Fold Willa Nasatir’s Spectral Images New York-based artist Willa Nasatir makes seductive still lifes in which objects, bodies, and their traces meld into otherworldly photographic images. For the launch of... by Drew Sawyer
Above the Fold James Welling’s Wyeth Series at the Brandywine River Museum of Art In 2010, the Connecticut-born artist James Welling began a series of photographs inspired by the paintings of Andrew Wyeth. Welling is known for numerous experiments... by Drew Sawyer
Above the Fold Yuta Nakajima and Madeline Warren on ‘Passing Leap’ at Hauser & Wirth During the summer months, when many residents escape the oppressive heat of the city, New York galleries have the chance to break out of their... by Drew Sawyer
Above the Fold Gavin Brown’s enterprise bids farewell to its West Village Gallery with Jannis Kounellis Gavin Brown’s enterprise, the perennially hip downtown art gallery, recently announced it would be moving to Amsterdam Ave. and 126th Street, adjacent to Columbia University’s... by Drew Sawyer
Above the Fold Haunted: Michaël Borremans’ Enigmatic Art For nearly 20 years, the Belgium artist Michaël Borremans has been producing a surreal body of work in painting, drawing, and film that simultaneously mines... by Drew Sawyer
Documented Barbara Kasten: Refracted Light Since the late 70s, Chicago-based artist Barbara Kasten has produced photographic work that exploits the medium’s inherent tension between representation and abstraction. by Drew Sawyer
Documented Sibylle Bergemann: A Spectre in East Berlin OSMOS Address presents the first solo exhibition in New York of Sibylle Bergemann (1941-2010). by Drew Sawyer
Above the Fold Lynn Hershman Leeson: Origins of the Species Since the late '90s, the American artist and filmmaker Lynn Hershman Leeson has gained international acclaim for her feminist science-fiction movies starring Tilda Swinton, such... by Drew Sawyer
Above the Fold A Visit to the Los Angeles Art Book Fair This past weekend marked the third installment of the Los Angeles Art Book Fair, organized by New York’s Printed Matter. Over 250 exhibitors from around... by Drew Sawyer
Above the Fold Ryan McNamara and Curator Piper Marshall on Performance Art in Museums and McNamara’s New Show Last Thursday, Mary Boone Gallery opened Gently Used, an exhibition of new works by Ryan McNamara. Known for his site-specific performances, McNamara has produced new... by Drew Sawyer
Documented Architect Peter Marino Selects Rarely Seen Images From Tom of Finland’s Own Archive for Document Peter Marino selects rarely seen images from Tom of Finland’s own archive for Document, and traces the artist’s influence on Robert Mapplethorpe and himself. by Drew Sawyer
Above the Fold Day With(out) Art December 1st marks the 25th anniversary of Day With(out) Art, a program initiated by Visual AIDS in 1989 as a day of action and remembrance... by Drew Sawyer
Documented Avery Singer’s Computer World The artist realizes performative figures within unrealized buildings, created with Google SketchUp and rendered by hand. She shares these works in Document's Fall/Winter 2014 issue. by Drew Sawyer
Above the Fold Anne Collier—woman with a camera The artist's first museum survey, organized by the MCA Chicago, highlights her unique contribution to 21st-century art while looking to the visual culture of the... by Drew Sawyer
At Large Robert Heinecken implicates himself in a vast system of sex, money, and power with his ‘comprimised’ magazines A portfolio from Document's Spring/Summer 2014 issue pays tribute to the pioneer of appropriation art whose his altered magazines, culled directly from mass media and... by Drew Sawyer
Above the Fold An Art Showdown at Paramount Ranch During the last weekend in January, while visitors flocked to Printed Matter's LA Art Book Fair downtown, more adventurous and in-the-know art lovers made the... by Drew Sawyer
Above the Fold “Who Says Pain is Erotic?” This Saturday, April 16, Fortnight Institute presents an exhibition of works by Ohio-based artist Carmen Winant, titled "Who Says Pain is Erotic?" Winant's first solo... by Drew Sawyer