Art ‘Modeling Ecologies: Take Care’ creates a living archive of the Caribbean On view at Chinatown’s Entrance gallery, the group exhibition considers the intersection of architecture, ecology, and history to define home
Art The cotton-candy lushness of Pucci’s Fun Fair The Italian brand’s art director Camille Miceli convened a carnivalesque installation for its inaugural Art Basel Miami Beach partnership
Fashion The true meaning of wintertime festivities, according to Julia Garner Ahead of the holidays, Document sits down with the rising star to uncover the secret to great hosting and great gift-giving
“Red is not usually innocent, but the red you send me is.” Photographer Sølve Sundsbø collaborates with Style Director Ronald Burton III and Beauty Editor Jawara on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Above the Fold Daytripping: Dancefloor antagonism In her bi-weekly column for Document, McKenzie Wark works through the feelings of antagonism for all the other dancers. by McKenzie Wark Above the Fold Daytripping: Vibe editor In her biweekly column for Document, McKenzie Wark passes the mic to Shawn Dickerson, to talk 40 years on the New York nightlife circuit by McKenzie Wark Above the Fold Daytripping: Conventions of Care In her biweekly column for Document, McKenzie Wark experiences two very different kinds of dance culture by McKenzie Wark Above the Fold Daytripping: Christmas for pagans In her biweekly column for Document, McKenzie Wark finds the pagan spirit of the season. by McKenzie Wark At Large Resisting simulations of the self For Document’s Fall/Winter 2023 issue, McKenzie Wark grapples with society’s love for identity-making, imagining a future free from flags or labels by McKenzie Wark At Large In the New Hampshire wild, DJs Octo Octa and Eris Drew forage for the sound of home For Document’s Fall/Winter 2023 issue, McKenzie Wark is a houseguest of the dynamic pair, picking their brains on what it is to build a life... by McKenzie Wark Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark Above the Fold Daytripping: Publication day In her biweekly column for Document, McKenzie Wark ponders the problem of art in the age of content by McKenzie Wark Above the Fold Daytripping: Beautiful feedback In her biweekly column for Document, McKenzie Wark attends a Suzanne Ciani concert, and gets thinking on information theory and control by McKenzie Wark Above the Fold Daytripping: Big Gay Summer In her biweekly column for Document, McKenzie Wark reflects on the queer crowds of the Island, the Beach, and the Campout by McKenzie Wark Above the Fold Daytripping: The writer and the rave In her biweekly column for Document, McKenzie Wark considers noise, information theory, and the text of the party by McKenzie Wark Above the Fold Daytripping: I put a spell on you In her biweekly column for Document, McKenzie Wark writes of the bewitching effects of a good DJ set—or really any art by McKenzie Wark Above the Fold Daytripping: Bushwick nationalism In her biweekly column for Document, McKenzie Wark writes about the ambiguity of culture, and who’s entitled to public space by McKenzie Wark Above the Fold Daytripping: The dance floor is no utopia, but I’ll take it anyways In her biweekly column for Document, McKenzie Wark writes about the cis-het imagination, and blowing off steam at Pride by McKenzie Wark Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark Above the Fold Daytripping: Living in the gaps of being In her biweekly column for Document, McKenzie Wark writes about dissonance—in music, at the party, and in one’s own body by McKenzie Wark Above the Fold Daytripping: Learning the art of letting go In her biweekly column for Document, McKenzie Wark writes about a cross-generational spring party and the simple comforts of dance by McKenzie Wark Above the Fold Daytripping: The top 20 nightlife scenes in cinema In her bi-weekly column for Document, McKenzie Wark lists her favorite instances of on-screen dancing, from the rave in Zion to ’60s sci-fi fantasia by McKenzie Wark Above the Fold Daytripping: Herding cats In her bi-weekly column for Document, McKenzie Wark writes about raves in relation to service workers, and how she once got on the wrong side... by McKenzie Wark Above the Fold Daytripping: Ghost dance In her bi-weekly column for Document, McKenzie Wark tells a tale of two boroughs, two generations, and what we’ve lost and found through nightlife by McKenzie Wark Above the Fold Daytripping: Dancing into the folds of time In her bi-weekly column for Document Journal, McKenzie Wark writes about dancing at Berlin’s Berghain, the world-famous temple of techno by McKenzie Wark Above the Fold Daytripping: A dance to the music of time In her biweekly column for Document, McKenzie Wark checks in with an intergenerational Downtown bohemia by McKenzie Wark Above the Fold Daytripping: How dancing can make you gay In her bi-weekly column for Document, McKenzie Wark writes on the interpenetration of queer and straight spaces by McKenzie Wark Above the Fold Daytripping: The irreplaceable soundtrack to MDMA In her bi-weekly column for Document, McKenzie Wark writes of the gap between the body and the body’s image of itself by McKenzie Wark Above the Fold Daytripping: A night at the club, and tears before bedtime In McKenzie Wark’s bi-weekly column for Document, two trans girls commune above the noise by McKenzie Wark Above the Fold Daytripping: The collective catharsis of ravespace In her biweekly column for Document, McKenzie Wark explores the dance floor as an antidote to dysphoria by McKenzie Wark Above the Fold Daytripping: A tale of two raves, and finding desire in the spaces between In her biweekly column for Document, McKenzie Wark explores what we seek on a night out—and how we often find ourselves wanting more by McKenzie Wark Above the Fold Daytripping: The queer rave fulfills the promise of family that Thanksgiving can’t In her biweekly column for Document, McKenzie Wark explores the catharsis of Halloween and the minefield of going home for the holidays by McKenzie Wark At Large Mapping a modern trans bohemia in the borough of the flesh From Greenpoint to Flatbush, McKenzie Wark outlines community on the margins of straight life by McKenzie Wark
Above the Fold Daytripping: Dancefloor antagonism In her bi-weekly column for Document, McKenzie Wark works through the feelings of antagonism for all the other dancers. by McKenzie Wark
Above the Fold Daytripping: Vibe editor In her biweekly column for Document, McKenzie Wark passes the mic to Shawn Dickerson, to talk 40 years on the New York nightlife circuit by McKenzie Wark
Above the Fold Daytripping: Conventions of Care In her biweekly column for Document, McKenzie Wark experiences two very different kinds of dance culture by McKenzie Wark
Above the Fold Daytripping: Christmas for pagans In her biweekly column for Document, McKenzie Wark finds the pagan spirit of the season. by McKenzie Wark
At Large Resisting simulations of the self For Document’s Fall/Winter 2023 issue, McKenzie Wark grapples with society’s love for identity-making, imagining a future free from flags or labels by McKenzie Wark
At Large In the New Hampshire wild, DJs Octo Octa and Eris Drew forage for the sound of home For Document’s Fall/Winter 2023 issue, McKenzie Wark is a houseguest of the dynamic pair, picking their brains on what it is to build a life... by McKenzie Wark
Above the Fold Daytripping: Out of the bubble In her biweekly column for Document, McKenzie Wark weekends outside of Brooklyn, finding more queerness and Pippa Garner’s Art Omi show by McKenzie Wark
Above the Fold Daytripping: Publication day In her biweekly column for Document, McKenzie Wark ponders the problem of art in the age of content by McKenzie Wark
Above the Fold Daytripping: Beautiful feedback In her biweekly column for Document, McKenzie Wark attends a Suzanne Ciani concert, and gets thinking on information theory and control by McKenzie Wark
Above the Fold Daytripping: Big Gay Summer In her biweekly column for Document, McKenzie Wark reflects on the queer crowds of the Island, the Beach, and the Campout by McKenzie Wark
Above the Fold Daytripping: The writer and the rave In her biweekly column for Document, McKenzie Wark considers noise, information theory, and the text of the party by McKenzie Wark
Above the Fold Daytripping: I put a spell on you In her biweekly column for Document, McKenzie Wark writes of the bewitching effects of a good DJ set—or really any art by McKenzie Wark
Above the Fold Daytripping: Bushwick nationalism In her biweekly column for Document, McKenzie Wark writes about the ambiguity of culture, and who’s entitled to public space by McKenzie Wark
Above the Fold Daytripping: The dance floor is no utopia, but I’ll take it anyways In her biweekly column for Document, McKenzie Wark writes about the cis-het imagination, and blowing off steam at Pride by McKenzie Wark
Above the Fold Daytripping: Embracing the barely-known In her biweekly column for Document, McKenzie Wark mediates on the work of Elysia Crampton, and the problem of letting otherness into our lives by McKenzie Wark
Above the Fold Daytripping: Living in the gaps of being In her biweekly column for Document, McKenzie Wark writes about dissonance—in music, at the party, and in one’s own body by McKenzie Wark
Above the Fold Daytripping: Learning the art of letting go In her biweekly column for Document, McKenzie Wark writes about a cross-generational spring party and the simple comforts of dance by McKenzie Wark
Above the Fold Daytripping: The top 20 nightlife scenes in cinema In her bi-weekly column for Document, McKenzie Wark lists her favorite instances of on-screen dancing, from the rave in Zion to ’60s sci-fi fantasia by McKenzie Wark
Above the Fold Daytripping: Herding cats In her bi-weekly column for Document, McKenzie Wark writes about raves in relation to service workers, and how she once got on the wrong side... by McKenzie Wark
Above the Fold Daytripping: Ghost dance In her bi-weekly column for Document, McKenzie Wark tells a tale of two boroughs, two generations, and what we’ve lost and found through nightlife by McKenzie Wark
Above the Fold Daytripping: Dancing into the folds of time In her bi-weekly column for Document Journal, McKenzie Wark writes about dancing at Berlin’s Berghain, the world-famous temple of techno by McKenzie Wark
Above the Fold Daytripping: A dance to the music of time In her biweekly column for Document, McKenzie Wark checks in with an intergenerational Downtown bohemia by McKenzie Wark
Above the Fold Daytripping: How dancing can make you gay In her bi-weekly column for Document, McKenzie Wark writes on the interpenetration of queer and straight spaces by McKenzie Wark
Above the Fold Daytripping: The irreplaceable soundtrack to MDMA In her bi-weekly column for Document, McKenzie Wark writes of the gap between the body and the body’s image of itself by McKenzie Wark
Above the Fold Daytripping: A night at the club, and tears before bedtime In McKenzie Wark’s bi-weekly column for Document, two trans girls commune above the noise by McKenzie Wark
Above the Fold Daytripping: The collective catharsis of ravespace In her biweekly column for Document, McKenzie Wark explores the dance floor as an antidote to dysphoria by McKenzie Wark
Above the Fold Daytripping: A tale of two raves, and finding desire in the spaces between In her biweekly column for Document, McKenzie Wark explores what we seek on a night out—and how we often find ourselves wanting more by McKenzie Wark
Above the Fold Daytripping: The queer rave fulfills the promise of family that Thanksgiving can’t In her biweekly column for Document, McKenzie Wark explores the catharsis of Halloween and the minefield of going home for the holidays by McKenzie Wark
At Large Mapping a modern trans bohemia in the borough of the flesh From Greenpoint to Flatbush, McKenzie Wark outlines community on the margins of straight life by McKenzie Wark