Art In Andrea Geyer’s ‘a promise of lightning,’ the natural is inherently political On view at the Leslie-Lohman Museum of Art, the artist’s latest exhibition draws parallels between queerness and the the interconnectivity of earth’s environment
Fashion Venus Williams expresses generosity through style and sport For Document’s Fall/Winter 2024–25 issue, the athlete, author, and designer joins Style Director Ronald Burton III to discuss the creative and connective potentials of self-inquiry
Film Cate Blanchett and Alfonso Cuarón vitalize narrative potential The actor and director unfurl the cinematic story for Document Journal’s Fall/Winter 2024–25 issue
Jake Gyllenhaal, Nick Vogelson, Ruth Rogers, and Cartier host Document Journal’s Fall/Winter 2024-25 issue launch dinner Document and Cartier celebrate the latest edition on the eve of London Frieze week with guests including Bianca Jagger, Honey Dijon, Peter Sarsgaard, Simone Rocha,...
Above the Fold Photographer Jack Davison finds hope in the quiet of extinction In his new book ‘Ol Pejeta,’ the London-based artist documents the last northern white rhinos on Earth by Megan Hullander Above the Fold Thomas Prior captures moments of fleeting spectacle and impossible beauty The photographer has dedicated his career to pulling back the curtain, but in his new book 'Amen Break,' he creates magic by scrambling the familiar by Alex Hodor-Lee Above the Fold The photographs of John Edmonds examine realness and ritual in the Black diaspora For 'A Sidelong Glance,' the photographer worked with Ralph Ellison's collection of Central and West African sculptures, weaving together the contemporary and the ancestral by Biz Sherbert Above the Fold Zora J Murff’s photography will have you questioning your beliefs From juvenile justice to redlining, the artist joins Document to discuss good aesthetics, Blackness, and navigating art world capitalism by Alex Hodor-Lee Above the Fold In Pat Martin’s sun-drenched world, we are never strangers The California photographer takes us beneath the golden washes of West Coast sun, toward a deeper study of the American family by Alex Hodor-Lee Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya Above the Fold ‘Nowadays, sensitivity is cool’: a day in the studio with photographer Josh Aronson Meet the youth culture aficionado bringing tropical warmth to Brooklyn by Caroline Reagan Above the Fold ‘A Thank-You To Motherhood’: Quil Lemons on photographing his great-grandmother For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Quil Lemons Above the Fold Julie Blackmon on her photo ‘Fake Weather’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Julie Blackmon Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland
Above the Fold Photographer Jack Davison finds hope in the quiet of extinction In his new book ‘Ol Pejeta,’ the London-based artist documents the last northern white rhinos on Earth by Megan Hullander
Above the Fold Thomas Prior captures moments of fleeting spectacle and impossible beauty The photographer has dedicated his career to pulling back the curtain, but in his new book 'Amen Break,' he creates magic by scrambling the familiar by Alex Hodor-Lee
Above the Fold The photographs of John Edmonds examine realness and ritual in the Black diaspora For 'A Sidelong Glance,' the photographer worked with Ralph Ellison's collection of Central and West African sculptures, weaving together the contemporary and the ancestral by Biz Sherbert
Above the Fold Zora J Murff’s photography will have you questioning your beliefs From juvenile justice to redlining, the artist joins Document to discuss good aesthetics, Blackness, and navigating art world capitalism by Alex Hodor-Lee
Above the Fold In Pat Martin’s sun-drenched world, we are never strangers The California photographer takes us beneath the golden washes of West Coast sun, toward a deeper study of the American family by Alex Hodor-Lee
Above the Fold Paul Mpagi Sepuya on capturing the space between portraits For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Paul Mpagi Sepuya
Above the Fold ‘Nowadays, sensitivity is cool’: a day in the studio with photographer Josh Aronson Meet the youth culture aficionado bringing tropical warmth to Brooklyn by Caroline Reagan
Above the Fold ‘A Thank-You To Motherhood’: Quil Lemons on photographing his great-grandmother For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Quil Lemons
Above the Fold Julie Blackmon on her photo ‘Fake Weather’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Julie Blackmon
Above the Fold James Welling on his photo ‘1538’ “The challenge is to create something I haven't seen before." by Vetle Egeland
Above the Fold Amy Arbus on her photo ‘Julio Q’ 'In those days, it was so much fun to take pictures of people because they were never suspicious. They were just honored.' by Vetle Egeland
Above the Fold Joel Sternfeld on his photo ‘After A Flash Flood, Rancho Mirage’ 'This photo of the flash flood in Rancho Mirage evokes all of the disasters that are going to happen because of extreme weather. I wish... by Vetle Egeland
Above the Fold Joe Gaffney on his photo ‘Sunrise on the Avenue Montaigne’ For Contact Sheet, Document asks a photographer about the unseen story of a frame that defines their work. by Vetle Egeland
Above the Fold Tina Tyrell on her photo ‘Time Will Have Its Fancy’ Every week for Contact Sheet, Document asks a photographer for the unseen story about the frame that has come to define their work. by Vetle Egeland
Above the Fold Pieter Hugo on his photo “Portrait #3, Rwanda, 2014” "I like to think of some of these pictures as little gifts from the universe." by Phil Backes
Above the Fold Andreas Laszlo Konrath on his photo “Untitled (Joe #11, Braces 1)” Contact Sheet is Document's newest weekly installment on the story behind the images shaping our visual culture. by Vetle Egeland