“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Fashion The Shoptimist: An unbearable uniformity of being In her monthly column, previously closeted gym member Maya Kotomori ruminates on the role of the yoga set on her shopping psyche
Literature Fine Print: You’re a winner, baby On the heels of the National Book Awards announcements, columnist Drew Zeiba asks what prizes mean for publishing
Above the Fold Inside ‘Paradigm,’ the digital publication you have to smell to believe Nicolaia Rips reports on the platform’s multimedia issue release at the Roxy Cinema, featuring everything from video installations to hot girl-scented perfumes by Nicolaia Rips Above the Fold Remembering Richard Serra Artist Isaiah Davis reflects on the industrial-grade legacy of the late post-Minimalist sculptor by Isaiah Davis Above the Fold ‘Seeing Meaning’ in the wake of AI Curated by Marina Chao, the International Center for Photography’s day-long symposium explored technology’s manifold interactions with image and language by Will Allstetter Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori Above the Fold The singular vision of Otti Berger Published by Hatje Cantz, ‘Weaving for Modernist Architecture’ illuminates the prodigious textile designer’s tragically brief career by Elroy Rosenberg Above the Fold Into the dungeon with Simon Denny The Berlin-based artist takes over multiple floors of the Upper East Side’s Petzel Gallery to uncover how gamer imaginaries shape our reality by Drew Zeiba Above the Fold Inside Performance Space New York’s ‘Divine Disco’ The East Village institution’s 44th annual gala celebrated its artists with a fantasia of performances and an unforgettable party by Document Journal Above the Fold The fearless thrills of Jimmy Wright and Christopher Culver At Lower East Side gallery Diana, two artists explore gay lust, pleasure, and the power of lewdness by Minh Le Above the Fold Watch ‘Divine Disco,’ the 44th annual Performance Space New York Gala live on Document Tune into the livestream starting at 6pm EDT and for exclusive coverage for PSNY, read our interviews with creative director Richard Kennedy and artistic director... by Document Journal Above the Fold Taja Cheek makes curation a collaborative art The newly appointed artistic director of Performance Space New York sits down with Document ahead of the East Village institution’s 44th annual gala by Drew Zeiba Above the Fold Richard Kennedy and Rashonda Reeves turn Performance Space New York into a ‘Divine Disco’ In a taxi-cab tell all, the collaborators reveal how to bring fantasies into the real world by Journey Streams Above the Fold Illuminations by the roadside: Russell Sharon’s watercolor ‘Wildflowers’ The eclectic Minnesotan turns Hal Bromm Gallery into a paean for nature’s simple glories by Elroy Rosenberg Above the Fold Mamie Green explores consciousness and family in ‘Glass House’ In the artist and dancer’s latest performance piece, LA is a vortex, the stage a home, and the audience her kin by Alec Niedenthal Above the Fold Pol of Paris: fashion by day, erotic illustration by night Document sits down with the senior designer at Loewe to discuss art, pride, and butt cheeks by Eric Schwartau Above the Fold Katie Rex explores LA Art Week’s city-wide impact Document’s new Editor of Arts and Lifestyle highlights the standout projects from the west coast event by Katie Rex Above the Fold Sharing glances at Cédric Rivrain’s ‘Poussière’ The artist’s latest exhibition demands connection between painting and viewer by Will Allstetter Above the Fold Emanuel Admassu and Anita N. Bateman’s ‘Where is Africa?’ forges a new framework for postcolonial artistic dialogue Following the release of their book, the architect-professor co-editors talk about their research process, Afrofuturism, and subverting expectations of Blackness by Olisa Tasie-Amadi Jr. Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori Above the Fold Ana Benaroya and Katherine Bradford on the endless possibility of female figuration Before her next solo show at Art Basel Hong Kong, Benaroya chats weaponized lactation and success in the art world with her mentor by Minh Le Above the Fold The art of Shibari For Marie Sauvage and Hajime Kinoko, rope bondage is a form of creative expression by Camille Sojit Pejcha Above the Fold Artist Sofia Crespo’s ‘Structures of Being’ illuminates Barcelona In a large-scale projection mapping, neural nets help reimagine Antoni Gaudí’s Casa Batlló by Drew Zeiba Above the Fold Kaur Alia Ahmed crafts poetry in three dimensions with ‘sky, harp’ The New York–based artist and writer merges sound, sculpture, and sport in their debut solo show by Drew Zeiba Above the Fold Noah Stalgia creates sculptures for an era of withering authenticity The New York-based artist joins Document to discuss faux-transgressive design, working-class fetishism, and the drive toward belief by Ben Dreith Above the Fold Ottessa Moshfegh writes not what we asked for, but what we need Excavating the dark side of human nature, the author invites readers to find divinity in depravity by Camille Sojit Pejcha Above the Fold On heaven, hell, and nothingness in Miami Beach A dispatch from Art Basel fielding questions of protest, spectacle, and frivolity through a quote by Slavoj Žižek by Teddy Duncan Jr. Above the Fold Choreographer Ligia Lewis transforms CARA into a theater of concepts Currently on view, ‘study now steady’ is a foray into the relationship between audience and performer, told through a Black feminist lens by Maximilian Tapogna Above the Fold (LA)HORDE challenges the canon of concert dance Combining ballet and rave culture, the collective gives traditional choreography a much-needed update by Ann Binlot Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori Above the Fold The perennial reinvention of Oneohtrix Point Never Daniel Lopatin on the idiosyncrasies of his creative process, the life cycle of counterculture, and how he remains enchanted with art by Camille Sojit Pejcha At Large Iggy Teller does Teller For Document’s Fall/Winter 2023 issue, Juergen Teller and Dovile Drizyte reimagine the artist’s iconic works in a portfolio with their baby, Iggy, as its star by Juergen Teller Above the Fold Elliot Reed’s writing on the wall The cross-medium artist turns the body politic inside out in ‘Union,’ currently on view at Anonymous Gallery by Maya Kotomori Above the Fold Olympia Le-Tan takes high fashion to the ring with Sukeban A cross between drag, performance art, and wrestling, the all-women’s league combines high concept costuming with high-flying stunts by Jayne O'Dwyer Above the Fold Erica Deeman’s required reading for environmental hope The artist shares a list of books, compiled during her fellowship at Headlands Center for the Arts, that helped inspire her latest exhibition, ‘Climate Futurism,’... by Maximilian Tapogna Above the Fold Robert Storr’s ‘Retinal Hysteria’ renders calamity artistic The curator's current exhibition reflects on Christian Braum’s early naughties ‘Eye Infection’ with a wink, and a nod to our contemporary moment by Ann Binlot Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer Above the Fold Molly Crabapple’s world of art and action The artist returns to her roots with ‘The Chair Series,’ an intimate meditation on human connection amidst political upheaval by Camille Sojit Pejcha Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori Conversations Sumayya Vally and Alvaro Barrington work between the folds of familiar and imaginative belonging For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures by Elizabeth Hsieh At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt Conversations For Joan Jonas, everything is ongoing The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance by Tia Glista Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker
Above the Fold Inside ‘Paradigm,’ the digital publication you have to smell to believe Nicolaia Rips reports on the platform’s multimedia issue release at the Roxy Cinema, featuring everything from video installations to hot girl-scented perfumes by Nicolaia Rips
Above the Fold Remembering Richard Serra Artist Isaiah Davis reflects on the industrial-grade legacy of the late post-Minimalist sculptor by Isaiah Davis
Above the Fold ‘Seeing Meaning’ in the wake of AI Curated by Marina Chao, the International Center for Photography’s day-long symposium explored technology’s manifold interactions with image and language by Will Allstetter
Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT
Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori
Above the Fold The singular vision of Otti Berger Published by Hatje Cantz, ‘Weaving for Modernist Architecture’ illuminates the prodigious textile designer’s tragically brief career by Elroy Rosenberg
Above the Fold Into the dungeon with Simon Denny The Berlin-based artist takes over multiple floors of the Upper East Side’s Petzel Gallery to uncover how gamer imaginaries shape our reality by Drew Zeiba
Above the Fold Inside Performance Space New York’s ‘Divine Disco’ The East Village institution’s 44th annual gala celebrated its artists with a fantasia of performances and an unforgettable party by Document Journal
Above the Fold The fearless thrills of Jimmy Wright and Christopher Culver At Lower East Side gallery Diana, two artists explore gay lust, pleasure, and the power of lewdness by Minh Le
Above the Fold Watch ‘Divine Disco,’ the 44th annual Performance Space New York Gala live on Document Tune into the livestream starting at 6pm EDT and for exclusive coverage for PSNY, read our interviews with creative director Richard Kennedy and artistic director... by Document Journal
Above the Fold Taja Cheek makes curation a collaborative art The newly appointed artistic director of Performance Space New York sits down with Document ahead of the East Village institution’s 44th annual gala by Drew Zeiba
Above the Fold Richard Kennedy and Rashonda Reeves turn Performance Space New York into a ‘Divine Disco’ In a taxi-cab tell all, the collaborators reveal how to bring fantasies into the real world by Journey Streams
Above the Fold Illuminations by the roadside: Russell Sharon’s watercolor ‘Wildflowers’ The eclectic Minnesotan turns Hal Bromm Gallery into a paean for nature’s simple glories by Elroy Rosenberg
Above the Fold Mamie Green explores consciousness and family in ‘Glass House’ In the artist and dancer’s latest performance piece, LA is a vortex, the stage a home, and the audience her kin by Alec Niedenthal
Above the Fold Pol of Paris: fashion by day, erotic illustration by night Document sits down with the senior designer at Loewe to discuss art, pride, and butt cheeks by Eric Schwartau
Above the Fold Katie Rex explores LA Art Week’s city-wide impact Document’s new Editor of Arts and Lifestyle highlights the standout projects from the west coast event by Katie Rex
Above the Fold Sharing glances at Cédric Rivrain’s ‘Poussière’ The artist’s latest exhibition demands connection between painting and viewer by Will Allstetter
Above the Fold Emanuel Admassu and Anita N. Bateman’s ‘Where is Africa?’ forges a new framework for postcolonial artistic dialogue Following the release of their book, the architect-professor co-editors talk about their research process, Afrofuturism, and subverting expectations of Blackness by Olisa Tasie-Amadi Jr.
Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori
Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori
Above the Fold Ana Benaroya and Katherine Bradford on the endless possibility of female figuration Before her next solo show at Art Basel Hong Kong, Benaroya chats weaponized lactation and success in the art world with her mentor by Minh Le
Above the Fold The art of Shibari For Marie Sauvage and Hajime Kinoko, rope bondage is a form of creative expression by Camille Sojit Pejcha
Above the Fold Artist Sofia Crespo’s ‘Structures of Being’ illuminates Barcelona In a large-scale projection mapping, neural nets help reimagine Antoni Gaudí’s Casa Batlló by Drew Zeiba
Above the Fold Kaur Alia Ahmed crafts poetry in three dimensions with ‘sky, harp’ The New York–based artist and writer merges sound, sculpture, and sport in their debut solo show by Drew Zeiba
Above the Fold Noah Stalgia creates sculptures for an era of withering authenticity The New York-based artist joins Document to discuss faux-transgressive design, working-class fetishism, and the drive toward belief by Ben Dreith
Above the Fold Ottessa Moshfegh writes not what we asked for, but what we need Excavating the dark side of human nature, the author invites readers to find divinity in depravity by Camille Sojit Pejcha
Above the Fold On heaven, hell, and nothingness in Miami Beach A dispatch from Art Basel fielding questions of protest, spectacle, and frivolity through a quote by Slavoj Žižek by Teddy Duncan Jr.
Above the Fold Choreographer Ligia Lewis transforms CARA into a theater of concepts Currently on view, ‘study now steady’ is a foray into the relationship between audience and performer, told through a Black feminist lens by Maximilian Tapogna
Above the Fold (LA)HORDE challenges the canon of concert dance Combining ballet and rave culture, the collective gives traditional choreography a much-needed update by Ann Binlot
Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori
Above the Fold The perennial reinvention of Oneohtrix Point Never Daniel Lopatin on the idiosyncrasies of his creative process, the life cycle of counterculture, and how he remains enchanted with art by Camille Sojit Pejcha
At Large Iggy Teller does Teller For Document’s Fall/Winter 2023 issue, Juergen Teller and Dovile Drizyte reimagine the artist’s iconic works in a portfolio with their baby, Iggy, as its star by Juergen Teller
Above the Fold Elliot Reed’s writing on the wall The cross-medium artist turns the body politic inside out in ‘Union,’ currently on view at Anonymous Gallery by Maya Kotomori
Above the Fold Olympia Le-Tan takes high fashion to the ring with Sukeban A cross between drag, performance art, and wrestling, the all-women’s league combines high concept costuming with high-flying stunts by Jayne O'Dwyer
Above the Fold Erica Deeman’s required reading for environmental hope The artist shares a list of books, compiled during her fellowship at Headlands Center for the Arts, that helped inspire her latest exhibition, ‘Climate Futurism,’... by Maximilian Tapogna
Above the Fold Robert Storr’s ‘Retinal Hysteria’ renders calamity artistic The curator's current exhibition reflects on Christian Braum’s early naughties ‘Eye Infection’ with a wink, and a nod to our contemporary moment by Ann Binlot
Above the Fold Samuel de Saboia navigates chaos on canvas The Brazilian painter discusses what’s on the horizon following his recent exhibition at London’s Saatchi Gallery by Maximilian Tapogna
Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer
Above the Fold Molly Crabapple’s world of art and action The artist returns to her roots with ‘The Chair Series,’ an intimate meditation on human connection amidst political upheaval by Camille Sojit Pejcha
Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori
Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori
Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer
Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT
Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori
Conversations Sumayya Vally and Alvaro Barrington work between the folds of familiar and imaginative belonging For Document’s Fall/Winter 2023 issue, the architect and artist assess the importance of embracing historical nuance to fabricate new futures by Elizabeth Hsieh
At Large Paul Sepuya holds a mirror up to the medium, in conversation with Ryan McNamara The photographer presents ‘Setups and In-Betweens’ for Document’s Fall/Winter 2023 issue, a portfolio of improvisational images by Evan Moffitt
Conversations For Joan Jonas, everything is ongoing The artist joins curator Daisy Desrosiers for Document’s Fall/Winter 2023 issue, revisiting her metamorphic archive of performance by Tia Glista
Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori
Above the Fold ‘Two Refusals (Would We Recognize Ourselves Unbroken?)’ excavates cultural memory Part documentary, part visual poem, Suneil Sanzgiri’s video installation at the Brooklyn Museum examines colonial resistance across India and Africa by Maximilian Tapogna
At Large Martine Gutierrez deconstructs the avatar, in conversation with Zackary Drucker For Document’s Fall/Winter 2023 issue, the artist shares ‘Child Interrupted,’ a portfolio positioning the self as invention by Morgan Becker