Fashion ESSX drops new photos that show high fashion in the LES wild Document shares an exclusive preview of the multi-brand concept store’s upcoming campaign
Fashion How To Live Together Photographer Paul Kooiker and Fashion Director-at-Large Robbie Spencer collaborate on this fashion portfolio for Document’s Spring/Summer 2024 issue
Fashion The eternal dreams of Jean Paul Gaultier and Simone Rocha Wit! Romance! Femininity! The designers talk with Fashion Critic-at-Large Katharine K. Zarrella about the state of haute couture for Document’s Spring/Summer 2024 issue
Film Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies
Above the Fold Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’ by Maya Kotomori Above the Fold Announcing Katharine Zarrella, Document Journal’s Fashion Critic-at-Large The fashion journalist extraordinaire sits down with Document to discuss the evolution of print journalism, Central Saint Martins, and of course, her pet rabbits by Maya Kotomori Above the Fold The Shoptimist: the olfactory side of high fashion In her monthly column for Document, the formerly stinky Maya Kotomori examines the world of luxury fragrance by Maya Kotomori Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori Above the Fold Inside Saint Laurent’s secret Fall/Winter 2024 menswear show Creative director Anthony Vacarello revisited the ’80s by blowing up the brand’s signature suit by Maya Kotomori Above the Fold Costaiia helps preserve Indigenous textile craftsmanship Designer Patricia Maria Pietri sits down with Document to discuss the family, folklore, and fantasy in her contemporary womenswear brand by Maya Kotomori Above the Fold Style, sustainability, and social democracy: Inside CIFF, Copenhagen’s International Fashion Fair Fashion Correspondent Maya Kotomori explores the future of the industry at the Danish city’s 62nd annual trade show by Maya Kotomori Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori Above the Fold Meet four unique designers from CIFF 62 x Revolver At the fashion fair’s 62nd annual event, Document sits down with a crop of brands central to the burgeoning Nordic fashion scene by Maya Kotomori Above the Fold Thom Browne’s Gothic fantasy Equally dramatic and literary, quoth the designer’s Fall/Winter 2024 collection: “nevermore” by Maya Kotomori Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori Above the Fold The Shoptimist: To wear your heart in your bra In her monthly column for Document, Maya Kotomori remains abreast of lingerie’s history in Valentine’s Day marketing schemes by Maya Kotomori Above the Fold Area’s anatomy of an eye Creative director Piotrek Panszczyk tests our vision this season with a sparkly collection full of occular allusion by Maya Kotomori Above the Fold Archive Chives’s latest restaurant takeover is a brothy success The second installment of chef Luke Vu’s pop-up food series invades downtown restaurant Betty with an artist-bent menu by Maya Kotomori Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori Above the Fold Skemer’s “Kiss Me Kill Me” is a serpentine dream Watch the premiere of Belgian duo’s latest music video, which explores the dark side of techno by Maya Kotomori Above the Fold Best in show: Couture Week Spring 2024 Document Journal rounds up the standout couture collections from a week in Paris by Maya Kotomori Above the Fold Best in show: Men’s Fall/Winter 2024 Fashion Week—Paris Document Journal rounds up the week’s standout menswear collections from the French fashion capital by Maya Kotomori Above the Fold Doni Nahmias brings archive-driven design to the NHL The menswear designer’s newest collaboration with the Arizona Coyotes is proof that hockey is street style’s next sporty obsession by Maya Kotomori Above the Fold The Shoptimist: What it is, what it was, what it should cost In her monthly column for Document, Maya Kotomori evaluates the future of subscription services through a luxury lens by Maya Kotomori Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori Above the Fold Elliot Reed’s writing on the wall The cross-medium artist turns the body politic inside out in ‘Union,’ currently on view at Anonymous Gallery by Maya Kotomori Above the Fold Sowing the seeds of the underground with Katie Rex and Fecal Matter The nightlife luminary and design duo join Document to discuss fantasy, fetish, and the liberatory power of the club by Maya Kotomori Above the Fold The Shoptimist: A deliberation on object permanence in the Desert Hills Premium Outlets In her monthly column for Document, writer and fashion theory knave Maya Kotomori finds age 25 while Black Friday buying by Maya Kotomori Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori Conversations Raul Lopez and Kelsey Lu mine material from personal histories The designer and musician reconnect for Document’s Fall/Winter 2023 issue, talking taste, dreams, island time, and where they’ll go from here by Maya Kotomori Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori Above the Fold The Latin American Fashion Awards are by and for the community The first annual ceremony honored Latinx fashion industry greats, centering the work of the creatives often overlooked by the mainstream by Maya Kotomori Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori Above the Fold ‘For the Love of Winter’ renders dressing for cold weather a creative act Shot by New York creative duo Gus&Lo, Moncler’s holiday campaign merges comfort and style with high-tech design by Maya Kotomori Above the Fold Berlin Under A’s category-resistant Halloween extravaganza The quadruple-bill performance saw Gemma Laurence, Jackson Crook, Foley, and the Racquets at their spookiest by Maya Kotomori Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori Above the Fold ‘Witness to Nature’ celebrates humanity’s relationship to the world around it The latest edition of the ‘Prada Reporter’ series sees the house partner with Magnum Photos, spotlighting inquisitive image-makers around the globe by Maya Kotomori Above the Fold Jesse Boykins III’s ‘New Growth’ explores musicianship and masculinity The artist’s forthcoming album charts his evolution through relationships, looking inwards in the meantime by Maya Kotomori Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori Above the Fold The Leslie-Lohman Museum of Art’s Fall Gala was a celebration of queer creativity ANOHNI, Chanel Lopez, Catherine Opie were the soirées guests of honor, awarded for their commitments to art, advocacy, and community by Maya Kotomori Above the Fold Dorian Electra’s ‘Fanfare’ offers sound of epic proportions Upon the release of their third album, the rising star speaks on theater kids, rock-opera, and the questionable influence of stan Twitter by Maya Kotomori Above the Fold Balenciaga’s self-referential and sentimental Paris Fashion Week show Spring/Summer 2024 looked back at Demna’s disruptive roots, citing signatures past from giant sneakers to floor-length spandex gowns by Maya Kotomori Above the Fold For Miu Miu, beauty contains multitudes Miuccia Prada’s Spring/Summer 2024 collection turns to history, embracing old brand archetypes to propose a cross between preppy and sporty by Maya Kotomori Above the Fold On Loewe’s Spring/Summer 2024 runway, the ordinary becomes subversive Jonathan Anderson’s latest collection constructed wearable sculptures, drawing from the office uniform and the artwork of Lynda Benglis by Maya Kotomori Above the Fold At Prada’s Spring/Summer 2024 show, eccentricity meets high fashion Miuccia Prada and Raf Simons have their collaboration down to a science, pushing the boundaries of their respective signatures by Maya Kotomori Above the Fold The Dior woman, reinterpreted Maria Grazia Chiuri’s Spring/Summer 2024 presentation teased out the bond between femininity and feminism, lending house signatures a darker edge by Maya Kotomori Above the Fold MSGM indulges in the eclectic For Spring/Summer 2024, designer Massimo Giorgetti’s runway becomes the road less traveled, opting for bold prints and unusual textures by Maya Kotomori Above the Fold At 50 years, Iceberg is fun, full-on, and functional For Milan Fashion Week, the brand looks backwards and forwards, launching a fragrance and reviving its beloved envelope bag by Maya Kotomori Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori Above the Fold For Spring/Summer 2024, Chet Lo takes a tender approach to erotica The designer’s London Fashion Week show saw “graphic PDA” and Shibari-inspired fastenings, careening headfirst into bold sensuality by Maya Kotomori Above the Fold Telling Kris Van Assche’s ongoing story From his namesake label’s debut to his tenures at Dior and Berluti, ‘55 Collections’ canvasses the Belgian designer’s sensational career by Maya Kotomori Above the Fold Behind the Melitta Baumeister silhouette For Spring/Summer 2024, the designer broadened her catalog with foamy phalanges and parabolic shapes by Maya Kotomori
Above the Fold Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’ by Maya Kotomori
Above the Fold Announcing Katharine Zarrella, Document Journal’s Fashion Critic-at-Large The fashion journalist extraordinaire sits down with Document to discuss the evolution of print journalism, Central Saint Martins, and of course, her pet rabbits by Maya Kotomori
Above the Fold The Shoptimist: the olfactory side of high fashion In her monthly column for Document, the formerly stinky Maya Kotomori examines the world of luxury fragrance by Maya Kotomori
Above the Fold Cooper Brovenick’s diagnosis for the new age The art adviser-slash-curator challenges time and the solo-show-industrial complex in his latest show, ‘A Modern Disease—like jetlag’ by Maya Kotomori
Above the Fold Inside Saint Laurent’s secret Fall/Winter 2024 menswear show Creative director Anthony Vacarello revisited the ’80s by blowing up the brand’s signature suit by Maya Kotomori
Above the Fold Costaiia helps preserve Indigenous textile craftsmanship Designer Patricia Maria Pietri sits down with Document to discuss the family, folklore, and fantasy in her contemporary womenswear brand by Maya Kotomori
Above the Fold Style, sustainability, and social democracy: Inside CIFF, Copenhagen’s International Fashion Fair Fashion Correspondent Maya Kotomori explores the future of the industry at the Danish city’s 62nd annual trade show by Maya Kotomori
Above the Fold In ‘The Wrong Movie,’ an apartment building and a ring light become metaphors for human connection Artist and writer Keren Cytter’s feature film debuted at the 74th Berlinale, leaving audiences wondering: did that guy really become a drone? by Maya Kotomori
Above the Fold Meet four unique designers from CIFF 62 x Revolver At the fashion fair’s 62nd annual event, Document sits down with a crop of brands central to the burgeoning Nordic fashion scene by Maya Kotomori
Above the Fold Thom Browne’s Gothic fantasy Equally dramatic and literary, quoth the designer’s Fall/Winter 2024 collection: “nevermore” by Maya Kotomori
Above the Fold ‘Queues’ by Louis Osmosis serializes artistic epiphany The sculptor’s most recent solo exhibition at Kapp Kapp gives the potency of ideas a spermatozoan mascot by Maya Kotomori
Above the Fold The Shoptimist: To wear your heart in your bra In her monthly column for Document, Maya Kotomori remains abreast of lingerie’s history in Valentine’s Day marketing schemes by Maya Kotomori
Above the Fold Area’s anatomy of an eye Creative director Piotrek Panszczyk tests our vision this season with a sparkly collection full of occular allusion by Maya Kotomori
Above the Fold Archive Chives’s latest restaurant takeover is a brothy success The second installment of chef Luke Vu’s pop-up food series invades downtown restaurant Betty with an artist-bent menu by Maya Kotomori
Above the Fold For Hugo Comte, abstraction is the highest form of flattery The renowned fashion photographer sits down with Document to discuss love, inspiration, and attitude in his debut film, ‘Purring Metal’ by Maya Kotomori
Above the Fold Skemer’s “Kiss Me Kill Me” is a serpentine dream Watch the premiere of Belgian duo’s latest music video, which explores the dark side of techno by Maya Kotomori
Above the Fold Best in show: Couture Week Spring 2024 Document Journal rounds up the standout couture collections from a week in Paris by Maya Kotomori
Above the Fold Best in show: Men’s Fall/Winter 2024 Fashion Week—Paris Document Journal rounds up the week’s standout menswear collections from the French fashion capital by Maya Kotomori
Above the Fold Doni Nahmias brings archive-driven design to the NHL The menswear designer’s newest collaboration with the Arizona Coyotes is proof that hockey is street style’s next sporty obsession by Maya Kotomori
Above the Fold The Shoptimist: What it is, what it was, what it should cost In her monthly column for Document, Maya Kotomori evaluates the future of subscription services through a luxury lens by Maya Kotomori
Above the Fold ‘Gratuity Included’ feasts on the experimental At the film’s second screening, director and fine artist Paulina Freifeld left audiences at KGB’s theater with one cheeky question: what’s for dinner? by Maya Kotomori
Above the Fold ‘Virtual Volume’ makes space a thought experiment Curated by Patrick R. Crowley, the sculpture show uses relief as a springboard into the many perspectives of the three-dimensional by Maya Kotomori
Above the Fold Eli Payne Mandel’s infinite levity in ‘The Grid’ In his first book, the psychoanalyst-in-training reimagines history’s many apocalypses through lost languages, letters from exile, and dead painters by Maya Kotomori
Above the Fold Elliot Reed’s writing on the wall The cross-medium artist turns the body politic inside out in ‘Union,’ currently on view at Anonymous Gallery by Maya Kotomori
Above the Fold Sowing the seeds of the underground with Katie Rex and Fecal Matter The nightlife luminary and design duo join Document to discuss fantasy, fetish, and the liberatory power of the club by Maya Kotomori
Above the Fold The Shoptimist: A deliberation on object permanence in the Desert Hills Premium Outlets In her monthly column for Document, writer and fashion theory knave Maya Kotomori finds age 25 while Black Friday buying by Maya Kotomori
Above the Fold In the Skateroom with Michèle Lamy and Charles-Antoine Bodson The creative multihyphenate isn’t afraid to show teeth across an exclusive collection of art decks, shot by Jeurgen Teller by Maya Kotomori
Conversations Raul Lopez and Kelsey Lu mine material from personal histories The designer and musician reconnect for Document’s Fall/Winter 2023 issue, talking taste, dreams, island time, and where they’ll go from here by Maya Kotomori
Above the Fold Something Special Studios’s cool, cool summer The creative agency’s fifth annual photo book ‘Summer of Something Special’ presents a visual diary of the world’s favorite season by Maya Kotomori
Above the Fold The Latin American Fashion Awards are by and for the community The first annual ceremony honored Latinx fashion industry greats, centering the work of the creatives often overlooked by the mainstream by Maya Kotomori
Above the Fold Tracey Emin’s ‘Lovers Grave’ serializes the supine and the sentimental On view at White Cube, the artist’s latest exhibition grapples with mortality and marks her return to New York by Maya Kotomori
Above the Fold ‘For the Love of Winter’ renders dressing for cold weather a creative act Shot by New York creative duo Gus&Lo, Moncler’s holiday campaign merges comfort and style with high-tech design by Maya Kotomori
Above the Fold Berlin Under A’s category-resistant Halloween extravaganza The quadruple-bill performance saw Gemma Laurence, Jackson Crook, Foley, and the Racquets at their spookiest by Maya Kotomori
Above the Fold ‘C.Y.O.A.: The Suturing of Objects’ prizes process over product Mast Books remolds the choose your own adventure genre in exhibition form by Maya Kotomori
Above the Fold ‘Witness to Nature’ celebrates humanity’s relationship to the world around it The latest edition of the ‘Prada Reporter’ series sees the house partner with Magnum Photos, spotlighting inquisitive image-makers around the globe by Maya Kotomori
Above the Fold Jesse Boykins III’s ‘New Growth’ explores musicianship and masculinity The artist’s forthcoming album charts his evolution through relationships, looking inwards in the meantime by Maya Kotomori
Above the Fold ‘De cara al sol’ is a photographic odyssey Diego Vourakis’s debut book is a call to adventure, painting a multifaceted picture of Cuba’s landscapes and its people by Maya Kotomori
Above the Fold The Leslie-Lohman Museum of Art’s Fall Gala was a celebration of queer creativity ANOHNI, Chanel Lopez, Catherine Opie were the soirées guests of honor, awarded for their commitments to art, advocacy, and community by Maya Kotomori
Above the Fold Dorian Electra’s ‘Fanfare’ offers sound of epic proportions Upon the release of their third album, the rising star speaks on theater kids, rock-opera, and the questionable influence of stan Twitter by Maya Kotomori
Above the Fold Balenciaga’s self-referential and sentimental Paris Fashion Week show Spring/Summer 2024 looked back at Demna’s disruptive roots, citing signatures past from giant sneakers to floor-length spandex gowns by Maya Kotomori
Above the Fold For Miu Miu, beauty contains multitudes Miuccia Prada’s Spring/Summer 2024 collection turns to history, embracing old brand archetypes to propose a cross between preppy and sporty by Maya Kotomori
Above the Fold On Loewe’s Spring/Summer 2024 runway, the ordinary becomes subversive Jonathan Anderson’s latest collection constructed wearable sculptures, drawing from the office uniform and the artwork of Lynda Benglis by Maya Kotomori
Above the Fold At Prada’s Spring/Summer 2024 show, eccentricity meets high fashion Miuccia Prada and Raf Simons have their collaboration down to a science, pushing the boundaries of their respective signatures by Maya Kotomori
Above the Fold The Dior woman, reinterpreted Maria Grazia Chiuri’s Spring/Summer 2024 presentation teased out the bond between femininity and feminism, lending house signatures a darker edge by Maya Kotomori
Above the Fold MSGM indulges in the eclectic For Spring/Summer 2024, designer Massimo Giorgetti’s runway becomes the road less traveled, opting for bold prints and unusual textures by Maya Kotomori
Above the Fold At 50 years, Iceberg is fun, full-on, and functional For Milan Fashion Week, the brand looks backwards and forwards, launching a fragrance and reviving its beloved envelope bag by Maya Kotomori
Above the Fold Beyond the looking glass, in the Robert Olnick Pavilion Magazzino Italian Art’s new free-standing structure boasts two inaugural exhibitions, marrying the spirit of community with postwar art by Maya Kotomori
Above the Fold For Spring/Summer 2024, Chet Lo takes a tender approach to erotica The designer’s London Fashion Week show saw “graphic PDA” and Shibari-inspired fastenings, careening headfirst into bold sensuality by Maya Kotomori
Above the Fold Telling Kris Van Assche’s ongoing story From his namesake label’s debut to his tenures at Dior and Berluti, ‘55 Collections’ canvasses the Belgian designer’s sensational career by Maya Kotomori
Above the Fold Behind the Melitta Baumeister silhouette For Spring/Summer 2024, the designer broadened her catalog with foamy phalanges and parabolic shapes by Maya Kotomori