Food Darryl Bell brought his Midwestern barbecue heritage to Robert Glasper’s The Black Radio Experience music festival At an on-site lunch event, the chef gave a glimpse into the menu at Stateline Road Smokehouse, his new restaurant blending fine dining perspective with...
Art Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming
Fashion The Shoptimist Speaks: Mati Hays of House of Iconica In the second installment of columnist Maya Kotomori’s interview mini-series, the Brooklyn-based designer talks personal style, fetish, and the poetics of taste in fashion
Literature August Thompson’s ‘Anyone’s Ghost’ thrums with tenderness and tension The writer’s debut novel interrogates grief and masculinity through a gut-wrenching tale of an all-consuming love
Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba Above the Fold Audrey Nuna rediscovers freedom on the stage Having just dropped her new single “Suckin Up,” the musician joins Document to talk collaboration, her DIY roots, and Anaïs Nin by Drew Zeiba Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba Above the Fold Steven Cuffie’s relational image-making A new zine and exhibition provide a glimpse into the rich archive of intimate portraits by the late photographer by Drew Zeiba Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba Above the Fold Montreal-based label Skip Fame turns a former bank building into a ghostly performance space In ‘Won / One / Whah Gwan’ Brandon Lajoie and Gregory Miller stage a hybrid runway show without beginning or end by Drew Zeiba Above the Fold Funto Omojola’s cosmological reckonings Hair, plastic, clay, and pictures come together to challenge conceptions of illness and image at the artist and poet’s photography installation at A.I.R. Gallery by Drew Zeiba Above the Fold Jennifer Rochlin and Jennifer Guidi keep each other curious On the occasion of Rochlin’s exhibition ‘Paintings on Clay’ at Hauser and Wirth, the two artists talk about friendship, collaboration, and the potency of nature by Drew Zeiba Above the Fold Dominic Leong knows aesthetics are politics The co-founder of the architecture firm Leong Leong discusses fashion, public space, land recovery, and design’s impact on bodies throughout history by Drew Zeiba Above the Fold Stacy Skolnik’s genre-bending ‘The Ginny Suite’ is an experiment in post-pandemic poetics The writer discusses her dissociative debut novel’s speculative journey through sex, sickness, and literary form by Drew Zeiba Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba At Large New Red Order blends satire and sincerity to deconstruct empire For Document’s Spring/Summer 2024 issue, the public secret society and art collective mobilizes a campaign for returning land to Indigenous Americans by Drew Zeiba Above the Fold Kristen Wentrcek and Andrew Zebulon find inspiration at the DMV In the art-design duo’s studio, references to bodies and buildings meet unexpected material experimentation by Drew Zeiba At Large Shahzia Sikander transforms time into a medium In an exclusive portfolio for Document Journal’s Spring/Summer 2024 issue, the artist merges the present, past, and possible by Drew Zeiba Conversations Jacques Vallée and Jeffrey J. Kripal challenge the limits of knowledge The scientist and scholar discuss UFO sightings, AI utopias, and top-secret projects for Document’s Spring/Summer 2024 issue by Drew Zeiba Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba Above the Fold In ‘Body Objects,’ artists and designers sculpt hair, silicone, and bacteria Designer Brecht Wright Gander’s curatorial debut takes on a semi-animate world by Drew Zeiba Above the Fold In Jennifer Croft’s ‘The Extinction of Irena Rey,’ literature is alive—even dangerous Set in a Polish forest, the award-winning translator’s first novel embarks on a rewilding of language, narrative, and art itself by Drew Zeiba Above the Fold Into the dungeon with Simon Denny The Berlin-based artist takes over multiple floors of the Upper East Side’s Petzel Gallery to uncover how gamer imaginaries shape our reality by Drew Zeiba Above the Fold Taja Cheek makes curation a collaborative art The newly appointed artistic director of Performance Space New York sits down with Document ahead of the East Village institution’s 44th annual gala by Drew Zeiba Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba Above the Fold Artist Sofia Crespo’s ‘Structures of Being’ illuminates Barcelona In a large-scale projection mapping, neural nets help reimagine Antoni Gaudí’s Casa Batlló by Drew Zeiba Above the Fold Kaur Alia Ahmed crafts poetry in three dimensions with ‘sky, harp’ The New York–based artist and writer merges sound, sculpture, and sport in their debut solo show by Drew Zeiba Above the Fold Erin Grant celebrates her New York premiere with a night of cinematic illusions The actor and directer spotlights genre-bending shorts from New York filmmakers featuring Illuminati P.I.s, a fallen angel, and a not-so-magic rodent by Drew Zeiba Above the Fold Aesthetically Incorrect: Inside the Glenn Martens universe The “designer’s designer” talks Y/Project, bad taste, and the Belgian disposition towards beauty by Drew Zeiba At Large Behind crumbling highways and ghost towns lies the mythological freedom of the American road Is the walkability-car divide another front in the so-called ‘culture wars’? Drew Zeiba explores the online proliferation of the new urbanist by Drew Zeiba At Large The art of cruising in the post-digital age From screens to streets: Drew Zeiba outlines the resurgence of anonymous sex in the city by Drew Zeiba
Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba
Above the Fold Audrey Nuna rediscovers freedom on the stage Having just dropped her new single “Suckin Up,” the musician joins Document to talk collaboration, her DIY roots, and Anaïs Nin by Drew Zeiba
Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba
Above the Fold For five decades, Mira Schor has blended concept and image Following major solo exhibitions in New York and Paris, the artist joins Document to discuss language, legacy, and the ‘thingness’ of painting by Drew Zeiba
Above the Fold Steven Cuffie’s relational image-making A new zine and exhibition provide a glimpse into the rich archive of intimate portraits by the late photographer by Drew Zeiba
Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba
Above the Fold Montreal-based label Skip Fame turns a former bank building into a ghostly performance space In ‘Won / One / Whah Gwan’ Brandon Lajoie and Gregory Miller stage a hybrid runway show without beginning or end by Drew Zeiba
Above the Fold Funto Omojola’s cosmological reckonings Hair, plastic, clay, and pictures come together to challenge conceptions of illness and image at the artist and poet’s photography installation at A.I.R. Gallery by Drew Zeiba
Above the Fold Jennifer Rochlin and Jennifer Guidi keep each other curious On the occasion of Rochlin’s exhibition ‘Paintings on Clay’ at Hauser and Wirth, the two artists talk about friendship, collaboration, and the potency of nature by Drew Zeiba
Above the Fold Dominic Leong knows aesthetics are politics The co-founder of the architecture firm Leong Leong discusses fashion, public space, land recovery, and design’s impact on bodies throughout history by Drew Zeiba
Above the Fold Stacy Skolnik’s genre-bending ‘The Ginny Suite’ is an experiment in post-pandemic poetics The writer discusses her dissociative debut novel’s speculative journey through sex, sickness, and literary form by Drew Zeiba
Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba
At Large New Red Order blends satire and sincerity to deconstruct empire For Document’s Spring/Summer 2024 issue, the public secret society and art collective mobilizes a campaign for returning land to Indigenous Americans by Drew Zeiba
Above the Fold Kristen Wentrcek and Andrew Zebulon find inspiration at the DMV In the art-design duo’s studio, references to bodies and buildings meet unexpected material experimentation by Drew Zeiba
At Large Shahzia Sikander transforms time into a medium In an exclusive portfolio for Document Journal’s Spring/Summer 2024 issue, the artist merges the present, past, and possible by Drew Zeiba
Conversations Jacques Vallée and Jeffrey J. Kripal challenge the limits of knowledge The scientist and scholar discuss UFO sightings, AI utopias, and top-secret projects for Document’s Spring/Summer 2024 issue by Drew Zeiba
Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba
Above the Fold In ‘Body Objects,’ artists and designers sculpt hair, silicone, and bacteria Designer Brecht Wright Gander’s curatorial debut takes on a semi-animate world by Drew Zeiba
Above the Fold In Jennifer Croft’s ‘The Extinction of Irena Rey,’ literature is alive—even dangerous Set in a Polish forest, the award-winning translator’s first novel embarks on a rewilding of language, narrative, and art itself by Drew Zeiba
Above the Fold Into the dungeon with Simon Denny The Berlin-based artist takes over multiple floors of the Upper East Side’s Petzel Gallery to uncover how gamer imaginaries shape our reality by Drew Zeiba
Above the Fold Taja Cheek makes curation a collaborative art The newly appointed artistic director of Performance Space New York sits down with Document ahead of the East Village institution’s 44th annual gala by Drew Zeiba
Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba
Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba
Above the Fold Artist Sofia Crespo’s ‘Structures of Being’ illuminates Barcelona In a large-scale projection mapping, neural nets help reimagine Antoni Gaudí’s Casa Batlló by Drew Zeiba
Above the Fold Kaur Alia Ahmed crafts poetry in three dimensions with ‘sky, harp’ The New York–based artist and writer merges sound, sculpture, and sport in their debut solo show by Drew Zeiba
Above the Fold Erin Grant celebrates her New York premiere with a night of cinematic illusions The actor and directer spotlights genre-bending shorts from New York filmmakers featuring Illuminati P.I.s, a fallen angel, and a not-so-magic rodent by Drew Zeiba
Above the Fold Aesthetically Incorrect: Inside the Glenn Martens universe The “designer’s designer” talks Y/Project, bad taste, and the Belgian disposition towards beauty by Drew Zeiba
At Large Behind crumbling highways and ghost towns lies the mythological freedom of the American road Is the walkability-car divide another front in the so-called ‘culture wars’? Drew Zeiba explores the online proliferation of the new urbanist by Drew Zeiba
At Large The art of cruising in the post-digital age From screens to streets: Drew Zeiba outlines the resurgence of anonymous sex in the city by Drew Zeiba