Film Charting a course through Wim Wenders’s filmography Document drafts a roadmap through the New German Cinema pioneer’s must-see works following remarkable critical reception of his latest film, ‘Perfect Days’
Music Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’
Literature Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown
Art During Salone del Mobile, Zegna debuts ‘Born in Oasi,’ a book dedicated to the brand’s historied relationship to nature The Italian luxury brand transformed its headquarters in Milan’s design district into an interactive exhibit designed to connect high fashion and environmental consciousness
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams
Above the Fold Campbell Addy lets his photos speak for themselves In anticipation of his new monograph ‘Feeling Seen,’ the celebrated photographer joins Document to discuss representation, community, and the value of silence by Ryan Williams
Above the Fold Lizzy McAlpine on breaking genre and breaking out The up-and-coming musician discusses finding fame on TikTok, collaborating with FINNEAS, and her second album’s new sound by Ryan Williams
Above the Fold In ‘American Black Beauty Vol. 1,’ Micaiah Carter comes home The photographer’s latest show at SN37 Gallery centers Black heritage with a combination of editorial images and intimate family portraits by Ryan Williams
Above the Fold ‘A Trillion Sunsets’ grapples with notions of originality and repetition in art The International Center of Photography’s latest exhibition issues a warning: ‘Have your way with images, or they will have their way with you’ by Ryan Williams
Above the Fold Tyrell Hampton documents the fantastical world of New York City nightlife In his new exhibition, 'Go Home,' the photographer captures fleeting moments of vulnerability and human connection by Ryan Williams