Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe
Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot
Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner