Fashion Officine Générale’s portraits of persona Photographer Laurence Ellis and stylist Giovanni Laudicina take an introspective approach with these never-before-seen photos
Music Watch ‘Composition Master Class: Trapanese,’ from the Balenciaga Music Series Tune into the livestream starting at 4pm EST for the latest installment of the Parisian brand’s tribute programming to the late ‘Mulholland Drive’ composer Angelo...
Music Drazzit’s playlist to call forth the night muse The DJ, producer, and record label co-founder sends us careening into a sonic vortex via this collection of other-worldly tracks
Art ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines?
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold With ‘Road Less Traveled,’ Rose B. Simpson diaries the tension between ancestry and modern culture The artist’s New York debut is on view at Jack Shainman Gallery, rendering tangible her relationship with Native identity and cycles of personal struggle by Monet Wolfe
Above the Fold Paul Anthony Smith probes his dual identity in ‘Junction’ The Jamaican-American artist Paul Anthony Smith investigates class, colonialism, and culture in Junction, his first exhibition at Jack Shainman. by Ann Binlot
Above the Fold African-American artists shatter art world expectations at auction Last week's record-breaking sale of Kerry James Marshall's 'Past Times' at Sotheby's suggest a long-overdue mainstreaming of the black contemporary art. by Caroline Christie
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner