Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Misha Japanwala wants you to be without shame In her new exhibition, the artist documents the bodies of those who have worked to forge a more liberated society in her native Karachi by Camille Sojit Pejcha Above the Fold For Hannah Traore, success is a communal experience The 27-year-old Malian-Canadian is among New York’s youngest curators—and her namesake gallery is dedicated to bringing marginalized artists to the fore by Camille Sojit Pejcha Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker
Above the Fold Misha Japanwala wants you to be without shame In her new exhibition, the artist documents the bodies of those who have worked to forge a more liberated society in her native Karachi by Camille Sojit Pejcha
Above the Fold For Hannah Traore, success is a communal experience The 27-year-old Malian-Canadian is among New York’s youngest curators—and her namesake gallery is dedicated to bringing marginalized artists to the fore by Camille Sojit Pejcha
Above the Fold For Camila Falquez, art is an act of love With her first solo exhibition, ‘Gods That Walk Among Us,’ the photographer imagines activists, muses, and performers as gods by Ryan Williams
Above the Fold Fairchain imagines an art market that centers the artist The founders of the blockchain-based platform meet with Renee Cox and gallerist Hannah Traore to discuss collaboration, royalties, and why creatives can’t work for free by Morgan Becker