Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold The surrealist film noir set in the aftermath of Trump’s inauguration Josephine Meckseper weaves Trump’s inauguration and the Women’s March that followed into a new iteration of Maurice Maeterlinck’s Pelléas et Mélisande. by Ann Binlot Above the Fold I brought my conservative dad to the Women’s March “Unfortunately, Cincinnati was in the midst of a freezing rainstorm, but we were set on going through with this unusual father-daughter activity.” by Sara Radin
Above the Fold The surrealist film noir set in the aftermath of Trump’s inauguration Josephine Meckseper weaves Trump’s inauguration and the Women’s March that followed into a new iteration of Maurice Maeterlinck’s Pelléas et Mélisande. by Ann Binlot
Above the Fold I brought my conservative dad to the Women’s March “Unfortunately, Cincinnati was in the midst of a freezing rainstorm, but we were set on going through with this unusual father-daughter activity.” by Sara Radin
