Art Experimental pop duo NEW YORK’s ‘rapstar*’ maintains an artful anonymity Following the release of their sophomore album, Gretchen Lawrence and Coumba Samba reflect on art, friendship, and their lo-fi influences
Art Maya Man and Sotce usher in a new generation of internet artists The pair sits down with Document to discuss their creative processes amidst the ever-changing climate of internet art
Protected: The Mall Firenze brings experiential retail to Tuscany There is no excerpt because this is a protected post.
Food Darryl Bell brought his Midwestern barbecue heritage to Robert Glasper’s The Black Radio Experience music festival At an on-site lunch event, the chef gave a glimpse into the menu at Stateline Road Smokehouse, his new restaurant blending fine dining perspective with...
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot
Above the Fold Legacy Russell’s latest curation is a love letter to the quilters of Gee’s Bend, Alabama ‘A New Bend’ at Hauser & Wirth includes textile-based artworks by Eric N. Mack, Sojourner Truth Parsons, and Dawn Williams Boyd by Morgan Becker
Above the Fold Diedrick Brackens weaves visual anthems for the yee-haw agenda The textile artist explores black queer identity in his stunning, Southwestern tapestries. by André Naquian Wheeler
Documented Ebony G. Patterson flashes her discordant opulence Above, below, beneath provides a window into the political stakes of Ebony G. Patterson's decadent, intricate tapestries from Document's Fall/Winter 2018 issue. by Ann Binlot