Art Mark Armijo McKnight’s ‘Decreation’ undoes the self The artist’s solo exhibition at The Whitney invokes existential landscapes as sites for unbecoming
Fashion The Shoptimist Speaks: Mati Hays of House of Iconica In the second installment of columnist Maya Kotomori’s interview mini-series, the Brooklyn-based designer talks personal style, fetish, and the poetics of taste in fashion
Literature August Thompson’s ‘Anyone’s Ghost’ thrums with tenderness and tension The writer’s debut novel interrogates grief and masculinity through a gut-wrenching tale of an all-consuming love
Music Whole Festival 2024 through the eyes and lens of Spyros Rennt The photographer documents everything from dance floor makeouts to Monday-morning euphoria during the three-day fête
Above the Fold Studio visit: Sarah Sze investigates the way we experience time in her Hudson Yards studio Sarah Sze shows Document around her Hudson Yards studio to see her exploration of the way people experience time through imagery. by Ann Binlot At Large A look back at Gore Vidal’s “sexual paradise” Was Gore Vidal’s objection to being defined as gay intellectual—“post-gay” before his time?—or was it personal, rooted in the sexual mores of a different generation? by Tim Teeman Conversations Architect and industrial designer Gaetano Pesce reflects on politics, pop culture, and the passing of time. Gaetano Pesce elaborates upon the importance of liquidity, lightness, and minestrone soup to curator Hans-Ulrich Obrist. by Ann Binlot
Above the Fold Studio visit: Sarah Sze investigates the way we experience time in her Hudson Yards studio Sarah Sze shows Document around her Hudson Yards studio to see her exploration of the way people experience time through imagery. by Ann Binlot
At Large A look back at Gore Vidal’s “sexual paradise” Was Gore Vidal’s objection to being defined as gay intellectual—“post-gay” before his time?—or was it personal, rooted in the sexual mores of a different generation? by Tim Teeman
Conversations Architect and industrial designer Gaetano Pesce reflects on politics, pop culture, and the passing of time. Gaetano Pesce elaborates upon the importance of liquidity, lightness, and minestrone soup to curator Hans-Ulrich Obrist. by Ann Binlot