“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
From sacred hot springs to the Esalen Institute, where does the ‘mystical-type experience’ emerge in Big Sur? For Document’s Fall/Winter 2024–25 issue, Angie Sijun Lou reflects on how self-optimization and psychedelic liberation are shaping life in Northern California
Music YATTA premieres ‘MTV,’ their music-video remix of suburbia For Document, the musician and artist gives an exclusive behind-the-scenes interview on the multivalent universe of faith, pop, and experimentation contained within their newest record,...
Art Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude
Above the Fold Theaster Gates illuminates the dark history of Maine’s interracial exiles For his first solo museum exhibition in France at Palais de Tokyo, the artist explores America’s dark forgotten past through the interracial exiles of Malaga... by Ann Binlot Above the Fold Nudists flock the Palais de Tokyo One of Paris’s most prestigious contemporary art collections opened its doors for the first time to a very marginalized group of culture lovers. by Caroline Christie Above the Fold Synthesized Chaos: “Scholomance” by Nico Vascellari Forming a call-and-repeat of improvised performance works, the artist welcomes a cast of thousands through a maze of metal for a trance-inducing event. by Dan Thawley
Above the Fold Theaster Gates illuminates the dark history of Maine’s interracial exiles For his first solo museum exhibition in France at Palais de Tokyo, the artist explores America’s dark forgotten past through the interracial exiles of Malaga... by Ann Binlot
Above the Fold Nudists flock the Palais de Tokyo One of Paris’s most prestigious contemporary art collections opened its doors for the first time to a very marginalized group of culture lovers. by Caroline Christie
Above the Fold Synthesized Chaos: “Scholomance” by Nico Vascellari Forming a call-and-repeat of improvised performance works, the artist welcomes a cast of thousands through a maze of metal for a trance-inducing event. by Dan Thawley