Art Soren Hope paints what the eye can’t hold For their first solo show in New York, the artist blurs the line between the real and the abstract, bending illusion to explore what it...
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As Partners in life, love, and work, they DJ internationally, perform punk shows, study music, walk runways, and finish each other’s sentences in conversation with...
Music After eight years in the wilderness, Miguel is reborn in ‘CAOS’ Marked by fatherhood, divorce, and a shelved album, the Grammy-winning artist releases his grunge-inflected record confronting harsh political realities and personal reckoning
Art The curators shaping the future of archives: Drew Sawyer For the third installment of Document’s series, Whitney Museum of American Art's Sondra Gilman Curator of Photography Drew Sawyer carries the ethical responsibilities of narrating...
At Large Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude by Drew Zeiba Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot
At Large Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude by Drew Zeiba
Above the Fold Mike Kelley’s ‘Unisex Love Nest’ examines the politics of queer aesthetics Mike Kelley's 'Unisex Love Nest,' which was recently shown in his adopted hometown for the first time, still resonates 20 years after its debut. by Ann Binlot
