Art The Bahamas rides the tide of FUZE festival all the way to Venice At Nassau’s Baha Mar resort, the FUZE Art Fair is putting the Bahamas on the global art map—taking the nation to the Venice Biennale while...
Art Once upon a time, fashion got dirty “Dirty Looks,” the Barbican’s new show, remembers when grime and ruin were a language of truth and spotlights the contemporary designers still in the muck
Nightlife Moonlight and mayhem on Lafayette Under the glow of a spectral moon, Document Journal’s Halloween soirée brought Jean’s to life with Dee Diggs, Sterling Juan Díaz, Kembra Pfahler, and Narcissister...
Photography Bruce Gilden’s neorealismo The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in...
Above the Fold ‘myselves’: 4 artists on interpreting the body in the age of pandemic Loie Hollowell, Jesse Mockrin, Xiuching Tsay, and Naotaka Hiro, whose work is featured in a Kohn Gallery group exhibition, on the shifting foundations of identity by Ann Binlot Above the Fold “XOXO” by Jesse Mockrin Long interested in the tension between artifice and substance and gender fluidity, the artist depicts K-Pop superstars EXO for Document No. 10. by Kibum Kim
Above the Fold ‘myselves’: 4 artists on interpreting the body in the age of pandemic Loie Hollowell, Jesse Mockrin, Xiuching Tsay, and Naotaka Hiro, whose work is featured in a Kohn Gallery group exhibition, on the shifting foundations of identity by Ann Binlot
Above the Fold “XOXO” by Jesse Mockrin Long interested in the tension between artifice and substance and gender fluidity, the artist depicts K-Pop superstars EXO for Document No. 10. by Kibum Kim
