Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold Mind the gap, #Barbenheimer Greta Gerwig’s ‘Barbie’ and Christopher Nolan’s ‘Oppenheimer’ share a release date, and a knack for sparking terminally online debate by Maya Kotomori Conversations Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal by Megan Hullander
Above the Fold Mind the gap, #Barbenheimer Greta Gerwig’s ‘Barbie’ and Christopher Nolan’s ‘Oppenheimer’ share a release date, and a knack for sparking terminally online debate by Maya Kotomori
Conversations Cillian Murphy and Geoff Dyer evaluate the cross-medium art of observation Years ago, the actor requested the cinematic rights to the writer’s ‘Jeff in Venice, Death in Varanasi’—here, they revisit the proposal by Megan Hullander
