Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Natasha Stagg’s ‘Artless’ is the fringes of fandom The book tunnels down the bottomless pit of celebrity, exploring how self-commodification diminishes star power by making stars of us all by Yasmeen Khan Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan Above the Fold Claire A. Nivola’s ‘The House in the Country’ reckons with the past, and leaves it behind Between mulberry picking and rubbing shoulders with the art-world elite, the book finds universality within an extraordinary childhood by Yasmeen Khan Above the Fold On ‘Dystopia Girl’, Harmony plays dress-up The singer-songwriter tells Document all about making “emotional, philosophical” indie pop music on her debut solo EP by Yasmeen Khan Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan Above the Fold Overheard at Casual Encounterz’s Lower East Side salon Document discloses the gossip we caught at the series’s New York send-off, between boxed wine, cigarette smoke, and Notes app fiction by Yasmeen Khan Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan Above the Fold The divine gifts of ‘The Starling Girl’ Upon the streaming release of her debut film, Laurel Parmet sits down with Document to discuss the coexistence of faith and desire by Yasmeen Khan Above the Fold Behind the scenes at Carl Craig’s Movement Festival set The DJ offers Document a look at his homecoming show in Detroit—the birthplace of techno and the site of his creative coming-of-age by Yasmeen Khan Above the Fold ‘Neon Noir’ bridges cinematic cynicism with technicolor tenebrism Curated by Inge de Leeuw, Metrograph’s July film series trades the crime dramas of the genre’s past for the science-fiction of the near future by Yasmeen Khan Above the Fold The coronation of Charles Jeffrey Loverboy The label’s Spring/Summer 2024 collection subverts the hallmarks of British royalty, irreverently reinventing the status symbol for the future by Yasmeen Khan Above the Fold The Deep Water Literary Festival builds upon George Orwell’s enduring vision The small town of Narrowsburg, New York will host contemporary literature’s visionaries, as they reflect on the great English novelist’s legacy by Yasmeen Khan
Above the Fold Natasha Stagg’s ‘Artless’ is the fringes of fandom The book tunnels down the bottomless pit of celebrity, exploring how self-commodification diminishes star power by making stars of us all by Yasmeen Khan
Above the Fold Carmen Winant’s ‘The last safe abortion’ depicts overlooked networks of labor The artist’s latest photo exhibition creates a visual language countering that of the anti-choice movement by Yasmeen Khan
Above the Fold Claire A. Nivola’s ‘The House in the Country’ reckons with the past, and leaves it behind Between mulberry picking and rubbing shoulders with the art-world elite, the book finds universality within an extraordinary childhood by Yasmeen Khan
Above the Fold On ‘Dystopia Girl’, Harmony plays dress-up The singer-songwriter tells Document all about making “emotional, philosophical” indie pop music on her debut solo EP by Yasmeen Khan
Above the Fold Amelia Winger-Bearskin renders climate optimism with technology Following a showcase in group exhibition ‘ANTI•VENOM,’ the artist joins Document to discuss her AI-influenced creative practice by Yasmeen Khan
Above the Fold Overheard at Casual Encounterz’s Lower East Side salon Document discloses the gossip we caught at the series’s New York send-off, between boxed wine, cigarette smoke, and Notes app fiction by Yasmeen Khan
Above the Fold Racquel Chevremont melds death with decadence Following the opening of ‘This Too Shall Pass,’ the curator joins Document to discuss the still life and her philosophy of impermanence by Yasmeen Khan
Above the Fold ‘Tree & Serpent’ strikes a balance between the sacred and the secular In collaboration with a handful of Indian cultural institutions, the Met’s new exhibition traverses six centuries of Buddhist art by Yasmeen Khan
Above the Fold The divine gifts of ‘The Starling Girl’ Upon the streaming release of her debut film, Laurel Parmet sits down with Document to discuss the coexistence of faith and desire by Yasmeen Khan
Above the Fold Behind the scenes at Carl Craig’s Movement Festival set The DJ offers Document a look at his homecoming show in Detroit—the birthplace of techno and the site of his creative coming-of-age by Yasmeen Khan
Above the Fold ‘Neon Noir’ bridges cinematic cynicism with technicolor tenebrism Curated by Inge de Leeuw, Metrograph’s July film series trades the crime dramas of the genre’s past for the science-fiction of the near future by Yasmeen Khan
Above the Fold The coronation of Charles Jeffrey Loverboy The label’s Spring/Summer 2024 collection subverts the hallmarks of British royalty, irreverently reinventing the status symbol for the future by Yasmeen Khan
Above the Fold The Deep Water Literary Festival builds upon George Orwell’s enduring vision The small town of Narrowsburg, New York will host contemporary literature’s visionaries, as they reflect on the great English novelist’s legacy by Yasmeen Khan