Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Christeene channels Sinéad O’Connor in ‘The Lion, The Witch, and The Cobra’ The self-proclaimed ‘gender terrorist’ enlisted artistic powerhouses Justin Vivian Bond and Peaches in an homage to the Irish singer’s career-defining debut by FT Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT Above the Fold Behind the scenes at Fever Ray’s hypnotic New York show Writer and philosopher FT reviews the ‘There’s No Place I’d Rather Be,’ tour—a “deranged circus,” with vocalist Karin Dreijer as its ringmaster by FT Above the Fold When it comes to artistic success, what are we really measuring? From Madonna to Taylor Swift, writer and philosopher FT examines the ever-changing metric of music rankings by FT
Above the Fold Christeene channels Sinéad O’Connor in ‘The Lion, The Witch, and The Cobra’ The self-proclaimed ‘gender terrorist’ enlisted artistic powerhouses Justin Vivian Bond and Peaches in an homage to the Irish singer’s career-defining debut by FT
Above the Fold ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines? by FT
Above the Fold Designing the traveling art show Writer and philosopher FT speaks with Magda Sawon of Postmasters Gallery, breaking down her decision to go nomadic after four decades in the game by FT
Above the Fold Behind the scenes at Fever Ray’s hypnotic New York show Writer and philosopher FT reviews the ‘There’s No Place I’d Rather Be,’ tour—a “deranged circus,” with vocalist Karin Dreijer as its ringmaster by FT
Above the Fold When it comes to artistic success, what are we really measuring? From Madonna to Taylor Swift, writer and philosopher FT examines the ever-changing metric of music rankings by FT