
We all know New York Fashion Week revolves around who wore what to the hottest shows and trashiest after-parties, so you better come prepared.
Four years ago, a photo ran in a national paper. The photograph—which I had no problem with at all—was taken outside Lincoln Center and featured myself and an ex-boyfriend, with whom I had several problems, eating hot dogs between collections. The caption ran: “Michael the III is wearing a black jumpsuit.” That they could have ignored the shoes, my 29 pieces of jewelry, the Carrie Bradshaw-inspired headpiece and my Samantha Jones demeanor was shocking. It was this slight perhaps, that has instilled in me the desire to so diligently document my outfits ever since. Hoping you will forgive me, I now present everything I wore in 24 hours at New York Fashion Week.
10:06 AM—In Bed Asleep in the city that never sleeps, I wore silk pyjamas pants. They are hand-stitched, require hand-washing and were handed down to me from my eldest brother with the worst taste [across the butt is embroidered, “Where’s the beef?”]. I paired this with an “Ohio School for Homosexual Children, Class of ’99” tee. Footwear was skipped entirely. At home, my bedroom style is decidedly minimal, but as nudity in other people’s sheets freaks me out, I decided against that—even if those ‘people’ are five-star ‘hotels’ called The St. Regis. On top of all that, I was dreaming and in my dream I was wearing skinny jeans and a plaid fedora. Or was it a nightmare?
11:20 AM—Shower-time I wore multiple layers of revitalizing soaps, scrubs, shampoos, and conditioners. This did not last long—10 minutes, or as soon as I felt them tingle.
11:47 AM—Readying Myself I put on a smile and a large Dior hat, wide-legged trousers, an oversized blouse and earrings the size of hula-hoops. Go big or go home, I told myself as I stepped into platform sneakers. Out the door, I removed the hat, knowing that “going big” in the front row can lead to crowds shouting, “Go home!” Balance was restored with a mini beret torn off the head of teddy bear.
11:51 AM—Out and About Big news. The small hat betrayed me, blowing off in the direction of Central Park. It was replaced with a baseball cap proclaiming the wearer’s love for New York. I felt this to be a tad stale, touristy even, but Tim Gunn stopped me on the corner of Canal and Broadway to describe my look as “Post-cultural, neo-geographical burlesque,” which was quickly appropriated as the hashtag to my Instastory. I did not give credit.
1:07 PM—Spring Studios I wore out my phone’s battery taking photos of a show by design duo Lollipop Circus. It was fantastic, though could have done without the 12-minute intro—a performance piece where a garment was meticulously nailed onto the body of a mannequin—was it a Jesus reference? I’m not sure.
1:19 PM—Lunch I donned an arrangement of sesame seeds scattered abstractly onto my lap. Lite cream cheese lightly smattered my lips, and this put me in an avant-grade category for which I had not planned. I converted my white blouse and several others’ tops into tie-dye chemises after mistaking a Shih Tzu’s beautiful blowout for Blake Lively, causing me to toss red wine in the excitement.
Above The Fold

Sam Contis Studies Male Seclusion

Slava Mogutin: “I Transgress, Therefore I Am”

The Present Past: Backstage New York Fashion Week Men’s Spring/Summer 2018

Pierre Bergé Has Died At 86

Falls the Shadow: Maria Grazia Chiuri Designs for Works & Process

An Olfactory Memory Inspires Jason Wu’s First Fragrance

Brave New Wonders: A Preview of the Inaugural Edition of “Close”

Georgia Hilmer’s Fashion Month, Part One

Modelogue: Georgia Hilmer’s Fashion Month, Part Two

Surf League by Thom Browne

Nick Hornby: Grand Narratives and Little Anecdotes

The New Helmut

Designer Turned Artist Jean-Charles de Castelbajac is the Pope of Pop

Splendid Reverie: Backstage Paris Haute Couture Fall/Winter 2017

Tom Burr Cultivates Space at Marcel Breuer’s Pirelli Tire Building

Ludovic de Saint Sernin Debuts Eponymous Collection in Paris

Peaceful Sedition: Backstage Paris Fashion Week Men’s Spring/Summer 2018

Ephemeral Relief: Backstage Milan Fashion Week Men’s Spring/Summer 2018

Olivier Saillard Challenges the Concept of a Museum

“Not Yours”: A New Film by Document and Diane Russo

Introducing: Kozaburo, 2017 LVMH Prize Finalist

Introducing: Marine Serre, 2017 LVMH Prize Finalist

Conscious Skin

Escapism Revived: Backstage London Fashion Week Men’s Spring/Summer 2018

Introducing: Cecilie Bahnsen, 2017 LVMH Prize Finalist

Introducing: Ambush, 2017 LVMH Prize Finalist

New Artifacts

Introducing: Nabil Nayal, 2017 LVMH Prize Finalist

Bringing the House Down

Introducing: Molly Goddard, 2017 LVMH Prize Finalist

Introducing: Atlein, 2017 LVMH Prize Finalist

Introducing: Jahnkoy, 2017 LVMH Prize Finalist

LVMH’s Final Eight

Escaping Reality: A Tour Through the 57th Venice Biennale with Patrik Ervell

Adorned and Subverted: Backstage MB Fashion Week Tbilisi Autumn/Winter 2017

The Geometry of Sound

Klaus Biesenbach Uncovers Papo Colo’s Artistic Legacy in Puerto Rico’s Rainforest

Westward Bound: Backstage Dior Resort 2018

Artist Francesco Vezzoli Uncovers the Radical Images of Lisetta Carmi with MoMA’s Roxana Marcoci

A Weekend in Berlin

Centered Rhyme by Elaine Lustig Cohen and Hermès

How to Proceed: “fashion after Fashion”

Robin Broadbent’s Inanimate Portraits

“Speak Easy”

Revelations of Truth

Re-Realizing the American Dream

Tomihiro Kono’s Hair Sculpting Process

The Art of Craft in the 21st Century

Strength and Rebellion: Backstage Seoul Fashion Week Autumn/Winter 2017

Decorative Growth

The Faces of London

Document Turns Five

Synthesized Chaos: “Scholomance” by Nico Vascellari

A Whole New World for Janette Beckman

New Ceremony: Backstage Paris Fashion Week Autumn/Winter 2017

New Perspectives on an American Classic

Realized Attraction: Backstage Milan Fashion Week Autumn/Winter 2017

Dematerialization: “Escape Attempts” at Shulamit Nazarian

“XOXO” by Jesse Mockrin

Brilliant Light: Backstage London Fashion Week Autumn/Winter 2017

The Form Challenged: Backstage New York Fashion Week Autumn/Winter 2017

Art for Tomorrow: Istanbul’74 Crafts Postcards for Project Lift

Inspiration & Progress

Paskal’s Theory of Design

On the Road

In Taiwan, American Designer Daniel DuGoff Finds Revelation

The Kit To Fixing Fashion

The Game Has Changed: Backstage New York Fashion Week Men’s Autumn/Winter 2017

Class is in Session: Andres Serrano at The School

Forma Originale: Burberry Previews February 2017

“Theoria”

Wearing Wanderlust: Waris Ahluwalia x The Kooples

Approaching Splendor: Backstage Paris Haute Couture Spring/Summer 2017

In Florence, History Returns Onstage

An Island Aesthetic: Loewe Travels to Ibiza

Wilfried Lantoine Takes His Collection to the Dancefloor

A Return To Form: Backstage New York Fashion Week Spring/Summer 2018

20 Years of Jeremy Scott

Offline in Cuba

Distortion of the Everyday at Faustine Steinmetz

Archetypes Redefined: Backstage London Fashion Week Spring/Summer 2018

Spring/Summer 2018 Through the Lens of Designer Erdem Moralıoğlu

A Week of Icons: Backstage Milan Fashion Week Spring/Summer 2018

Toasting the New Edition of Document

Embodying Rick Owens

Prada Channels the Wonder Women Illustrators of the 1940s

Andre Walker’s Collection 30 Years in the Making

Fallen From Grace, An Exclusive Look at Item Idem’s “NUII”

Breaking the System: Backstage Paris Fashion Week Men’s Autumn/Winter 2017

A Modern Manufactory at Mykita Studio

A Wanted Gleam: Backstage Milan Fashion Week Men’s Autumn/Winter 2017

Fashion’s Next, Cottweiler and Gabriela Hearst Take International Woolmark Prize

Beauty in Disorder: Backstage London Fashion Week Men’s Autumn/Winter 2017

“Dior by Mats Gustafson”

Prada’s Power

George Michael’s Epochal Supermodel Lip Sync

The Search for the Spirit of Miss General Idea

A Trace of the Real

Wear and Sniff

Underwater, Doug Aitken Returns to the Real
2:05 PM—Public Charging Station Fighting for the last outlet, I bumped into my friend Abdul, who recently launched a poorly named app offering on-the-go outfit changes. It’s called “ShopLyft.” I created a profile. In a matter of moments an android stripped me to my briefs in the privacy of a converted school bus and placed onto me a temporary dressing gown, a moo-moo of sorts serving also as a walking billboard, as I waved goodbye to my old outfit embarking on its journey to a New Jersey storage facility.
2:17 PM—Spring Studios I wore baggy, Off-White coveralls (of both brand and color) when I was confronted with one of fashion’s many dark conundrums: what happens when we recreate working class garments at unreasonably high prices? Well, I was mistaken for a custodian. This granted me a bottle of Windex, a mop and a backstage pass that I wore ‘round the neck.
3:31 PM—Backstage With such access, my ensembles became increasingly suited to the shows I attended. At Carolina Herrera, I wore Carolina Herrera. At Badgley Mischka, I wore Badgley Mischka. At Marc Jacobs, I literally wore Marc Jacobs. He’s so sweet.
5:40 PM—Street “Meet” Craving a hot dog, I bumped into my ex. I wore a look of distrust but also my heart on my sleeve. He wore me down (and Balenciaga too) and when we pulled apart, some cream cheese on the lips.
6:08 PM—Suite #700, The St. Regis At this time there was not much to report in the way of clothing, but for a bit of latex which was ribbed, ultra thin, and lubricated.
6:30PM—Equinox SoHo My next event was something between a runway show and a presentation. Whilst guests tasted complimentary protein bars, models cat-walked down treadmills. I wore ‘athleisure,’ which I’ve realized was a mistake, for such a style can only hold power out of context. Conversation here was hard to keep. I had no points to make discussing the benefits of bias-cut, stretch fabrics on deep squatting.
7:15PM—Bushwick At a counter-event, I wore what can be described as a mix of cargo pants and chaps complimented by face glitter and a large, fake septum piercing in which swung a minuscule Tweety Bird.
8ish—A phone conversation with Hua, the well-connected former it-girl turned SNL prop stylist “Wear whatever you’d like, Michael. It’s a pre-launch for an after-party. Uh yes, Iris Van Herpen is WAY too much. Keep it simple. Rhododendron? Like the flower? Why can’t you just say ‘pink’? No Michael, I have no clue what color the walls are. Just go neutral. Wear beige. Alright, alright! Stop shouting! Of course I know you’re not a kitchen tile. Wear whatever, just meet me at Canal Station in 30.”
9:01 PM—Back in SoHo I wore the Rhododendron. The four walls of the space were orange, yellow, green and purple which meant I clashed in every direction. Hua and I fled to the THE GRILL for dinner. It was very tasty, but don’t confuse the capital letters for enthusiasm. That’s just how it’s spelled. I wore a napkin tucked into the collar of my shirt, so as to not desecrate my Prabal Gurung.
11:45-6:58 AM—After-Parties #1-8 Between these hours I have no clue whom I saw, what I did, nor what I wore while doing it except that I had great fun and am without an extra large thong plus the suspenders that held it up. Nevertheless, I’d recommend New York Fashion Week after-parties to all, except those who value their health such as those found at Equinox fashion shows.
6:59 AM—The Lower East Side The taxi carrying me wore a fresh coat of yellow paint and a charming, illuminated hat. Under my eyes I wore bags that were neither Proenza Schouler nor Alexander Wang nor anything else as distinctly New York City as the heritage brand known as Sleep Deprivation.
10:30 AM—On a Balcony Due to an 11:00 AM checkout, I had no choice but to attend brunch at the apartment of a friend-of-a-friend’s agent’s former-assistant’s neighbor. Having used up all my clothing the day before (and my joie-de-vivre a few hours prior), in the way of fashion all I could muster was a cotton robe tied at the waist and Maison Margiela track pants. No shirt. I accessorized with dark sunglasses, an empty cocktail glass that once contained a Bloody Mary, and complete silence.
Thirty seconds later, I threw up in a potted plant and wore out my welcome.