Photography Bruce Gilden’s neorealismo The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in...
Art Soren Hope paints what the eye can’t hold For their New York debut, the artist blurs the real and the abstract, bending illusion to explore what it means to truly see
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As partners in life and work, they DJ, perform punk shows, study music, and finish each other’s sentences—in conversation with Katie Rex, featuring portraits by...
Music After eight years in the wilderness, Miguel is reborn in ‘CAOS’ Marked by fatherhood, divorce, and a shelved album, the Grammy-winning artist releases his grunge-inflected record confronting harsh political realities and personal reckoning
Above the Fold The surrealist film noir set in the aftermath of Trump’s inauguration Josephine Meckseper weaves Trump’s inauguration and the Women’s March that followed into a new iteration of Maurice Maeterlinck’s Pelléas et Mélisande. by Ann Binlot Above the Fold I brought my conservative dad to the Women’s March “Unfortunately, Cincinnati was in the midst of a freezing rainstorm, but we were set on going through with this unusual father-daughter activity.” by Sara Radin
Above the Fold The surrealist film noir set in the aftermath of Trump’s inauguration Josephine Meckseper weaves Trump’s inauguration and the Women’s March that followed into a new iteration of Maurice Maeterlinck’s Pelléas et Mélisande. by Ann Binlot
Above the Fold I brought my conservative dad to the Women’s March “Unfortunately, Cincinnati was in the midst of a freezing rainstorm, but we were set on going through with this unusual father-daughter activity.” by Sara Radin
