Music DeathbyRomy’s ‘No Mercy’ is a camp anthem for sick lovers In the wake of her latest release, Romy Flores confesses the secrets to the embodiment and aesthetic of her dark pop star character
Culture Amazon is reading palms at Whole Foods Biometric payment technology is a slippery slope to becoming one with our digital footprints, raising concerns about data privacy and customer surveillance
Culture The parasocial relationships—and real-life impact—of maintaining ‘media diaries’ in the streaming age In the era of Spotify Wrapped, media consumption is a source of community. But does broadcasting the content we consume change our taste?
Music Just because you can create a digitally rendered pop star, doesn’t mean you should While AI artists can spare fans from the disappointment of boy band breakups, their popularity raises questions about whether today’s music centers connection or capital
Documented Sterling Ruby’s Basin Theology From his studio in Los Angeles, the artist created an exclusive portfolio—fusing garments with shards exploded in a kiln—for Document Spring/Summer 2014. by Kevin McGarry Above the Fold Eckhaus Latta tests the boundaries between fashion, art and commerce at The Whitney Eckhaus Latta, the cult fashion label by Mike Eckhaus and Zoe Latta, is the subject of The Whitney's first fashion-focused exhibition since 1997. by Jocelyn Silver
Documented Sterling Ruby’s Basin Theology From his studio in Los Angeles, the artist created an exclusive portfolio—fusing garments with shards exploded in a kiln—for Document Spring/Summer 2014. by Kevin McGarry
Above the Fold Eckhaus Latta tests the boundaries between fashion, art and commerce at The Whitney Eckhaus Latta, the cult fashion label by Mike Eckhaus and Zoe Latta, is the subject of The Whitney's first fashion-focused exhibition since 1997. by Jocelyn Silver
