Art Jake Gyllenhaal and Hans Ulrich Obrist put language into action For Document’s Fall/Winter 2024-25 issue, the actor and curator discuss the potency of the word on paper, stage, and screen
Art In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self
Photography Ethan James Green reconceptualizes the classic bombshell In his multi-year photographic project ‘Bombshell,’ the artist probes conceptions of beauty, femininity, and glamor
Above the Fold Toni Morrison remembered—in the words of Marlon James, Yara Shahidi, and Janet Mock The giant of American literature has passed away at the age of 88—Here, five cultural figures describe the Morrison novels they'll never forget. by Aaron Hicklin Above the Fold Toni Morrison, in her own voice Timothy Greenfield-Sanders's documentary, 'Toni Morrison: The Pieces I Am,' reveals the author's strength and sharp wit, surprising no one. by Gabriela Serpa Conversations Literary giants Junot Díaz and Toni Morrison on their unwillingness to surrender The Pulitzer Prize winning authors on the benefits of taking it slow by Joshua Glass Above the Fold Document Turns Five Founder and editor-in-chief Nick Vogelson reflects on the new issue. by Nick Vogelson
Above the Fold Toni Morrison remembered—in the words of Marlon James, Yara Shahidi, and Janet Mock The giant of American literature has passed away at the age of 88—Here, five cultural figures describe the Morrison novels they'll never forget. by Aaron Hicklin
Above the Fold Toni Morrison, in her own voice Timothy Greenfield-Sanders's documentary, 'Toni Morrison: The Pieces I Am,' reveals the author's strength and sharp wit, surprising no one. by Gabriela Serpa
Conversations Literary giants Junot Díaz and Toni Morrison on their unwillingness to surrender The Pulitzer Prize winning authors on the benefits of taking it slow by Joshua Glass
Above the Fold Document Turns Five Founder and editor-in-chief Nick Vogelson reflects on the new issue. by Nick Vogelson