Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold ‘Chef just gon’ get your mouth watering’: For Raekwon, retirement’s not on the table The rap legend spoke to Document about his upcoming project ‘The Appetition’ and why Wu-Tang Clan will never go out of style. by David Aaron Brake Above the Fold They ain’t nuthing ta f’ wit: Enter the Wu-Tang (36 Chambers) turns 25 Document examines the influence of the legendary Wu-Tang Clan album, Enter the Wu-Tang (36 Chambers), 25 years after its debut. by David Aaron Brake
Above the Fold ‘Chef just gon’ get your mouth watering’: For Raekwon, retirement’s not on the table The rap legend spoke to Document about his upcoming project ‘The Appetition’ and why Wu-Tang Clan will never go out of style. by David Aaron Brake
Above the Fold They ain’t nuthing ta f’ wit: Enter the Wu-Tang (36 Chambers) turns 25 Document examines the influence of the legendary Wu-Tang Clan album, Enter the Wu-Tang (36 Chambers), 25 years after its debut. by David Aaron Brake
