Music ‘DEATHWORK’ is Kamixlo’s ode to the angels of noise The Brixton-based DJ and producer discusses his sophomore album’s genre-rebelling mix of existential introspection and rave-ready beats
Literature Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and...
Art PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom
Film ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen
Above the Fold Pleasure-seeking: On my ex’s exes In her first monthly column, Camille Sojit Pejcha explores internet stalking as a queer rite of passage by Camille Sojit Pejcha Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky
Above the Fold Pleasure-seeking: On my ex’s exes In her first monthly column, Camille Sojit Pejcha explores internet stalking as a queer rite of passage by Camille Sojit Pejcha
Above the Fold What ‘Everything Everywhere All at Once’ gets wrong about queer parenthood Noah Berlatsky questions the tidy narrative closure of a film that wallows in the struggles of raising a queer child, rather than exploring its joys by Noah Berlatsky