Above the Fold

Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay

On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine

by Jesse Firestone

Above the Fold

In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human

On view at Chinatown’s Management gallery, the artist’s debut solo show centers construction and deconstruction on the city streets and within the self

by Maya Kotomori