Art Soren Hope paints what the eye can’t hold For their New York debut, the artist blurs the real and the abstract, bending illusion to explore what it means to truly see
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As partners in life and work, they DJ, perform punk shows, study music, and finish each other’s sentences—in conversation with Katie Rex, featuring portraits by...
Music After eight years in the wilderness, Miguel is reborn in ‘CAOS’ Marked by fatherhood, divorce, and a shelved album, the Grammy-winning artist releases his grunge-inflected record confronting harsh political realities and personal reckoning
Art The curators shaping the future of archives: Drew Sawyer For the third installment of Document’s series, Whitney Museum of American Art's Sondra Gilman Curator of Photography Drew Sawyer carries the ethical responsibilities of narrating...
Above the Fold Jeremy O. Harris on cinematic confections, speaking drunk french, and manifesting his role in ‘Emily in Paris’ In a video directed by Michael Seater for Document, the world renowned playwright and It Boy shows the titular character how it’s done by Megan Hullander Above the Fold Meet Ross Days, the triple fire sign who became Jeremy O. Harris’s latest muse Kimberly Drew speaks to New York’s favorite SoulCycle instructor-turned-actor about his passion for social work and the importance of black, queer representation. by Kimberly Drew
Above the Fold Jeremy O. Harris on cinematic confections, speaking drunk french, and manifesting his role in ‘Emily in Paris’ In a video directed by Michael Seater for Document, the world renowned playwright and It Boy shows the titular character how it’s done by Megan Hullander
Above the Fold Meet Ross Days, the triple fire sign who became Jeremy O. Harris’s latest muse Kimberly Drew speaks to New York’s favorite SoulCycle instructor-turned-actor about his passion for social work and the importance of black, queer representation. by Kimberly Drew