Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Art Karl Lagerfeld’s Memphis dream, revived by Francesco Vezzoli Design meets desire in Vezzoli’s Monte Carlo show, a vivid reconstruction of Lagerfeld’s 1980s fantasy apartment—and a reflection on queer interior worlds
Music Moses Sumney finds rhythm in relation On the heels of two back-to-back shows at Pioneer Works previewing his upcoming album, the musician-actor sits down with Document to discuss its sonic drivers...
Above the Fold Grand River’s “Kura” is an all-consuming embrace Ahead of the release of ‘All Above,’ Aimée Portioli expounds upon the evolution of her practice and the art of translating emotion through sound by Megan Hullander Above the Fold Grand River plays with limitations and freedom in her expansive ambient sound On her latest album, ‘Blink A Few Times To Clear Your Eyes’, Aimée Portioli fuses electronic and acoustic instruments perfectly suited for Fall by Oli Warwick
Above the Fold Grand River’s “Kura” is an all-consuming embrace Ahead of the release of ‘All Above,’ Aimée Portioli expounds upon the evolution of her practice and the art of translating emotion through sound by Megan Hullander
Above the Fold Grand River plays with limitations and freedom in her expansive ambient sound On her latest album, ‘Blink A Few Times To Clear Your Eyes’, Aimée Portioli fuses electronic and acoustic instruments perfectly suited for Fall by Oli Warwick
