Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Fine Print: You’re a winner, baby On the heels of the National Book Awards announcements, columnist Drew Zeiba asks what prizes mean for publishing by Drew Zeiba Above the Fold Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’ by Drew Zeiba Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba
Above the Fold Fine Print: You’re a winner, baby On the heels of the National Book Awards announcements, columnist Drew Zeiba asks what prizes mean for publishing by Drew Zeiba
Above the Fold Fine Print: Did Michel Houellebecq steal Thomas Bernhard’s coat? In his monthly column, Drew Zeiba hunts for clues in the controversial French author’s latest novel, ‘Annihilation’ by Drew Zeiba
Above the Fold Fine Print: ‘The weirder and freakier the better’ Columnist Drew Zeiba sits down with ‘Language Arts’ co-editors Layla Halabian and Sophia June to talk about books, bags, and branding by Drew Zeiba
Above the Fold Fine Print: The crónica as daily epic In his column, Drew Zeiba reads possibilities for prose and politics in new collections of Hebe Uhart, Clarice Lispector, and Pedro Lemebel’s kaleidoscopic essays by Drew Zeiba
Above the Fold Fine Print: Poetry by any means necessary For his monthly column, Drew Zeiba traverses New York City in search of performances beyond the page by Drew Zeiba
Above the Fold Fine Print: In the labyrinth of the no In his monthly column, Drew Zeiba considers the creative merits of giving up through tales of defiant scriveners, starving artists, and painters fluent in refusal by Drew Zeiba
Above the Fold Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown by Drew Zeiba
Above the Fold Fine Print: A Tale of One City For his monthly column, Drew Zeiba spends 24 hours partying in Manhattan’s alternate literary realities by Drew Zeiba
Above the Fold Fine Print: Can two writers handle real life together? For his first monthly column, Drew Zeiba asks if art is worth it by Drew Zeiba