Design Craft, cinema, and the Italian eye at Persol The luxury glasses brand’s latest collection is an ode to film noir, and a true encapsulation of the Made in Italy mark
Photography Bootsy Holler’s lost photos of Seattle’s teen underground In 'Making It: 1992–2004', Bootsy Holler revives the feverish nights and fluorescent mornings of a Seattle that refused to die after grunge
Art How a resort art fair is reshaping a small island nation’s art world—and taking it global With FUZE at Baha Mar, the Bahamas is building a new foundation for its art world, linking local experimentation to global recognition at the Venice...
Art Once upon a time, fashion got dirty “Dirty Looks,” the Barbican’s new show, remembers when grime and ruin were a language of truth and spotlights the contemporary designers still in the muck
Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
