Art The zeitgeist forces Stephen Petronio’s hand Once nurtured by New York’s downtown scene, the choreographer now confronts an arts ecosystem in flux, and exits on his own terms
Fashion Doublet Spring/Summer 2026 is ripe for picking In Paris, designer Masayuki Ino cultivates a produce-inspired collection named after the Japanese phrase, 'Itadakimasu'—a statement of gratitude before a meal
Literature Do you know what your soul wants? Maya Martinez might In her new book ‘Theatrics’, the playwright-performer draws on Texas Roadhouse, Desperate Housewives, and TikTok spirals to stage a new kind of existential comedy
Literature Mohammed El-Kurd refuses to perform for the West The Palestinian writer—in conversation with Hannah Black and photographed by Nan Goldin—speaks on his new book 'Perfect Victims,' an unflinching indictment of Zionism and the...
Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Conversations Isabelle Huppert and Bruce LaBruce capture the profound power of deviance For Document’s Spring/Summer 2024 issue, the actor and director discuss the cinematic language, fashion, and revolution in their filmographies by Whitney Mallett
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham