Music ‘DEATHWORK’ is Kamixlo’s ode to the angels of noise The Brixton-based DJ and producer discusses his sophomore album’s genre-rebelling mix of existential introspection and rave-ready beats
Literature Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and...
Art PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom
Film ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham