Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Art Wax, fire, and the Getty name At her L.A. Frieze Week exhibition, 'Mirror of Influence,' heir and artist Kendalle Getty's provocative works literally dissolve, exploring her journey from rejecting her famous...
Art SCAD’s deFINE ART challenges the Bible Belt In its 16th edition, the deFINE ART symposium showcases ten exhibitions that confront identity, heritage, and belonging in America's Deep South
Art In the rearview mirror of Kenneth Tam’s ‘The Medallion’ Recently on view at Bridget Donahue, the Queens-born artist's solo exhibition is a multimedia intervention on broken dreams and the taxi medallion crisis
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
Above the Fold The vulgar, campy, radical world of filmmaker Bruce LaBruce From the prop room of his upcoming feature ‘The Visitor,’ the shock connoisseur talks Pasolini, religious ecstasy, and the true ethos of experimental art by Amelia Abraham
Above the Fold Ruth Wilson Gilmore’s politics of care The prison abolitionist and scholar discusses community policing, the failure of Anglo-American geography, and the notion of freedom as a place by Amelia Abraham
