Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Art Wax, fire, and the Getty name At her L.A. Frieze Week exhibition, 'Mirror of Influence,' heir and artist Kendalle Getty's provocative works literally dissolve, exploring her journey from rejecting her famous...
Art SCAD’s deFINE ART challenges the Bible Belt In its 16th edition, the deFINE ART symposium showcases ten exhibitions that confront identity, heritage, and belonging in America's Deep South
Art In the rearview mirror of Kenneth Tam’s ‘The Medallion’ Recently on view at Bridget Donahue, the Queens-born artist's solo exhibition is a multimedia intervention on broken dreams and the taxi medallion crisis
Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
Above the Fold ‘Myself When I Am Real’ puts forth the unseen half of Barkley L. Hendricks’s practice Jack Shainman Gallery will display the late painter’s photographic work, conveying his lighthearted approach to art-making and a glimpse into his immediate world by Morgan Becker
Above the Fold Overheard at the new Barkley L. Hendricks show, Them Changes “The 1970s. Wow. There was a lot going on. That world doesn’t exist anymore.” by Joshua Seidner
