Art The two sides of techno-speculation in DESTE Foundation’s ‘Dream Machines’ The exhibition catalogue considers the generative role of technology in art making and looks to old futures for signs of our present moment
Literature In ‘Trauma Plot,’ Jamie Hood writes herself whole again Through raw excavation and narrative shape-shifting, Hood transforms her assault wounds into a rebellion against literary conventions
Art Manuela Moscoso embraces change at ZsONAMACO Document sits down with the Quito-born, New York-based curator behind this year's galleries to discuss her symbiotic selection process and Mexico City's evolving curatorial climate
Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Above the Fold Amy Winehouse and the dead celebrity hologram industry With the advent of the technology to create walking, talking, and singing images of deceased celebrities—should we even create these apparitions for commercial exploitation? by Gabriela Serpa At Large Bryan Adams reenergizes the concept of celebrity portraits The musician and photographer discusses his technique behind the camera for Document's Fall/Winter 2012 issue. by Document Journal
Above the Fold Amy Winehouse and the dead celebrity hologram industry With the advent of the technology to create walking, talking, and singing images of deceased celebrities—should we even create these apparitions for commercial exploitation? by Gabriela Serpa
At Large Bryan Adams reenergizes the concept of celebrity portraits The musician and photographer discusses his technique behind the camera for Document's Fall/Winter 2012 issue. by Document Journal
