Fashion Balenciaga brings its new collection into the heart of American capitalism For Spring 2023, the French house introduced its own take of the power suit to Wall Street—complete with masked latex skinsuits
Art Sasha Gordon’s ‘Hands of Others’ employs the surreal to look inwards The painter’s debut solo show, on view at Jeffrey Deitch, interrogates the nature of self-image and cultural representation
Culture BASEMENT’s GeGa Japaridze and Téa Abashidze merge techno’s cutting edge with community engagement The pair join Knockdown Center’s Tyler Myers to discuss the makings of Wire Festival, a two-night event that reimagines the future of entertainment and activism
Music On ‘N2KY,’ MOSSY analyzes the relationships of post-adolescence The artist joins fellow Aussie and collaborator Banoffee to discuss web-era music making
Above the Fold Isaac Mizrahi unites his creative threads through cabaret Best known as a fashion designer, Mizrahi thrives on immediate connection to a live audience—on the runway or the stage. Troy Chatterton sits down with the... by Troy Chatterton Uncategorized Eckhaus Latta doesn’t want ‘a muse’: the due behind the brand speak on their Spring/Summer 2013 collection Zoe Latta and Mike Eckhaus explore the roots of their label and the musical bliss of wedding ceremonies in Document's Fall/Winter 2012 issue. by Troy Chatterton
Above the Fold Isaac Mizrahi unites his creative threads through cabaret Best known as a fashion designer, Mizrahi thrives on immediate connection to a live audience—on the runway or the stage. Troy Chatterton sits down with the... by Troy Chatterton
Uncategorized Eckhaus Latta doesn’t want ‘a muse’: the due behind the brand speak on their Spring/Summer 2013 collection Zoe Latta and Mike Eckhaus explore the roots of their label and the musical bliss of wedding ceremonies in Document's Fall/Winter 2012 issue. by Troy Chatterton
