Photography Ethan James Green reconceptualizes the classic bombshell In his multi-year photographic project ‘Bombshell,’ the artist probes conceptions of beauty, femininity, and glamor
Art R. Jamin’s ‘Temperance’ is a study in the spirituality behind science Document sits down with the artist to talk about the natural disasters, divination, and doves behind her first solo show, on view at David Peter...
Music ‘Surviving the Dream’ with FIDLAR Document joined the indie rock band LA’s Balboa Recording Studio ahead of the release of their fourth album to talk about staying punk and growing...
Above the Fold ‘The Iron Claw’ goes for the emotional jugular Sean Durkin’s third film renders the Von Erich wrestling family as a American tragedy by Jayne O'Dwyer Above the Fold Eduard Sánchez Ribot makes magic of the mundane In an exclusive photo diary for Document, the photographer captures the quotidian beauty of his trip through South Korea by Jayne O'Dwyer Above the Fold Olympia Le-Tan takes high fashion to the ring with Sukeban A cross between drag, performance art, and wrestling, the all-women’s league combines high concept costuming with high-flying stunts by Jayne O'Dwyer Above the Fold A guide to the discomfiting films of Todd Haynes Upon the release of May-December, Document curates of list of his most sumptuous, unsettling films by Jayne O'Dwyer Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer Above the Fold Between love, hate, and richesse, ‘Saltburn’ boils over In a web of cinephilic homages, Emerald Fennell’s sophomore feature spins a half-baked tale of lust and ambition by Jayne O'Dwyer Above the Fold Antwerp’s emerging designers capture the city’s casual magic Document asks 5 recent fashion graduates about ritual, inspiration, and the stories that undergird their latest collections by Jayne O'Dwyer Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer Above the Fold Stephanie Dinkins finds the edges of identity and AI In ‘Conversations with Bina48,’ the artist brushes with the future of algorithmic systems as often as her own humanity by Jayne O'Dwyer Above the Fold Cookie Mueller’s genius takes center stage at the Roxy ‘For People with Short Attention Spans’ drew a crowd of Downtown luminaries, celebrating the singular voice of the late-great raconteur by Jayne O'Dwyer Above the Fold Chappell Roan brings unbridled queer emotion to Brooklyn Steel ‘The Rise and Fall of a Midwest Princess’ captured hearts in New York, moving at a clip through heartbreak and joy by Jayne O'Dwyer Above the Fold Tina Kukielski’s guide to the rich, varied films of ‘Art in the Twenty-First Century’ Ahead of the release of “Friends & Strangers,” Art21’s chief curator highlights some of the series’s most fascinating installments by Jayne O'Dwyer Above the Fold Time is spherical in ‘Gucci Cosmos’ In an opulent retrospective at 180 The Strand, the legacy Italian label places its namesake at the center of its orbit by Jayne O'Dwyer Above the Fold Kiko Kostadinov walks with the greats Laura and Deanna Fanning’s Spring/Summer 2024 collection paid homage to Sonia Delaunay and Sonia Rykiel, never sacrificing functionality in the pursuit of femininity by Jayne O'Dwyer Above the Fold Issey Miyake materializes a quivering flame, flowing water Satoshi Kondo’s Spring/Summer 2024 collection renders nature’s fleeting moments in fabric, creating structure for the undefined by Jayne O'Dwyer Above the Fold Sufjan Stevens, modern-day bard On Javelin, the singer-songwriter takes his listeners on an Orphean journey through the end of a relationship and the world by Jayne O'Dwyer Above the Fold Stacy Kranitz captures Appalachia as it is Following the release of ‘As It Was Give(n) to Me,’ the photographer joins Document to unravel the region she calls home by Jayne O'Dwyer Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer
Above the Fold ‘The Iron Claw’ goes for the emotional jugular Sean Durkin’s third film renders the Von Erich wrestling family as a American tragedy by Jayne O'Dwyer
Above the Fold Eduard Sánchez Ribot makes magic of the mundane In an exclusive photo diary for Document, the photographer captures the quotidian beauty of his trip through South Korea by Jayne O'Dwyer
Above the Fold Olympia Le-Tan takes high fashion to the ring with Sukeban A cross between drag, performance art, and wrestling, the all-women’s league combines high concept costuming with high-flying stunts by Jayne O'Dwyer
Above the Fold A guide to the discomfiting films of Todd Haynes Upon the release of May-December, Document curates of list of his most sumptuous, unsettling films by Jayne O'Dwyer
Above the Fold ‘Lavender Deal’ summons love in the time of COVID Niko Hallikainen’s sprawling performance poem reflects on heartache over synth and across countries for the Performa Biennial by Jayne O'Dwyer
Above the Fold Between love, hate, and richesse, ‘Saltburn’ boils over In a web of cinephilic homages, Emerald Fennell’s sophomore feature spins a half-baked tale of lust and ambition by Jayne O'Dwyer
Above the Fold Antwerp’s emerging designers capture the city’s casual magic Document asks 5 recent fashion graduates about ritual, inspiration, and the stories that undergird their latest collections by Jayne O'Dwyer
Above the Fold ‘Making Their Mark’ crafts its own canon Spanning decades and mediums, Komal Shah and Cecilia Alemani’s ongoing exhibition puts women artists in the limelight by Jayne O'Dwyer
Above the Fold Stephanie Dinkins finds the edges of identity and AI In ‘Conversations with Bina48,’ the artist brushes with the future of algorithmic systems as often as her own humanity by Jayne O'Dwyer
Above the Fold Cookie Mueller’s genius takes center stage at the Roxy ‘For People with Short Attention Spans’ drew a crowd of Downtown luminaries, celebrating the singular voice of the late-great raconteur by Jayne O'Dwyer
Above the Fold Chappell Roan brings unbridled queer emotion to Brooklyn Steel ‘The Rise and Fall of a Midwest Princess’ captured hearts in New York, moving at a clip through heartbreak and joy by Jayne O'Dwyer
Above the Fold Tina Kukielski’s guide to the rich, varied films of ‘Art in the Twenty-First Century’ Ahead of the release of “Friends & Strangers,” Art21’s chief curator highlights some of the series’s most fascinating installments by Jayne O'Dwyer
Above the Fold Time is spherical in ‘Gucci Cosmos’ In an opulent retrospective at 180 The Strand, the legacy Italian label places its namesake at the center of its orbit by Jayne O'Dwyer
Above the Fold Kiko Kostadinov walks with the greats Laura and Deanna Fanning’s Spring/Summer 2024 collection paid homage to Sonia Delaunay and Sonia Rykiel, never sacrificing functionality in the pursuit of femininity by Jayne O'Dwyer
Above the Fold Issey Miyake materializes a quivering flame, flowing water Satoshi Kondo’s Spring/Summer 2024 collection renders nature’s fleeting moments in fabric, creating structure for the undefined by Jayne O'Dwyer
Above the Fold Sufjan Stevens, modern-day bard On Javelin, the singer-songwriter takes his listeners on an Orphean journey through the end of a relationship and the world by Jayne O'Dwyer
Above the Fold Stacy Kranitz captures Appalachia as it is Following the release of ‘As It Was Give(n) to Me,’ the photographer joins Document to unravel the region she calls home by Jayne O'Dwyer
Above the Fold ‘Blind Tongue’ constructs Mel Odom’s surrealist dreamscape The artist’s aloof figures are burdened by their own beauty in this career-sweeping exhibition, curated by Michael Bullock and staged at David Lewis Gallery by Jayne O'Dwyer