“Our vision is continually active, continually holding things in a circle around itself.” Photographer Emily Lipson and fashion editor Delphine Danhier collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
From sacred hot springs to the Esalen Institute, where does the ‘mystical-type experience’ emerge in Big Sur? For Document’s Fall/Winter 2024–25 issue, Angie Sijun Lou reflects on how self-optimization and psychedelic liberation are shaping life in Northern California
Music YATTA premieres ‘MTV,’ their music-video remix of suburbia For Document, the musician and artist gives an exclusive behind-the-scenes interview on the multivalent universe of faith, pop, and experimentation contained within their newest record,...
Art Mike Kelley’s final paintings are character studies of the lost self In this portfolio of never-before-exhibited images from Document’s Fall/Winter 2024–25 issue, the late artist reveals fractured lines of humor, submission, and solitude
Conversations Color, vision, and compulsion: Andra Eggleston on her family legacy William Eggleston is credited with ushering in the age of color photography and becoming the first photographer to make color his main medium. Eggleston’s daughter... by Everett Mccourt
Conversations Color, vision, and compulsion: Andra Eggleston on her family legacy William Eggleston is credited with ushering in the age of color photography and becoming the first photographer to make color his main medium. Eggleston’s daughter... by Everett Mccourt