Design Craft, cinema, and the Italian eye at Persol The luxury glasses brand’s latest collection is an ode to film noir, and a true encapsulation of the Made in Italy mark
Photography Bootsy Holler’s lost photos of Seattle’s teen underground In 'Making It: 1992–2004', Bootsy Holler revives the feverish nights and fluorescent mornings of a Seattle that refused to die after grunge
Art How a resort art fair is reshaping a small island nation’s art world—and taking it global With FUZE at Baha Mar, the Bahamas is building a new foundation for its art world, linking local experimentation to global recognition at the Venice...
Art Once upon a time, fashion got dirty “Dirty Looks,” the Barbican’s new show, remembers when grime and ruin were a language of truth and spotlights the contemporary designers still in the muck
At Large Hallucinating sense in the era of infinity-content This essay for Document’s Spring/Summer 2024 issue traverses arthouse cinema, Shein, and streaming to explore how the ‘technical image’ is changing the nature of meaning-making by Caroline Busta At Large The internet didn’t kill counterculture—you just won’t find it on Instagram “To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform.” by Caroline Busta
At Large Hallucinating sense in the era of infinity-content This essay for Document’s Spring/Summer 2024 issue traverses arthouse cinema, Shein, and streaming to explore how the ‘technical image’ is changing the nature of meaning-making by Caroline Busta
At Large The internet didn’t kill counterculture—you just won’t find it on Instagram “To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform.” by Caroline Busta