Music ‘DEATHWORK’ is Kamixlo’s ode to the angels of noise The Brixton-based DJ and producer discusses his sophomore album’s genre-rebelling mix of existential introspection and rave-ready beats
Literature Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and...
Art PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom
Film ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen
At Large Hallucinating sense in the era of infinity-content This essay for Document’s Spring/Summer 2024 issue traverses arthouse cinema, Shein, and streaming to explore how the ‘technical image’ is changing the nature of meaning-making by Caroline Busta At Large The internet didn’t kill counterculture—you just won’t find it on Instagram “To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform.” by Caroline Busta
At Large Hallucinating sense in the era of infinity-content This essay for Document’s Spring/Summer 2024 issue traverses arthouse cinema, Shein, and streaming to explore how the ‘technical image’ is changing the nature of meaning-making by Caroline Busta
At Large The internet didn’t kill counterculture—you just won’t find it on Instagram “To be truly countercultural in a time of tech hegemony, one has to, above all, betray the platform.” by Caroline Busta
