Nightlife Moonlight and mayhem on Lafayette Under the glow of a spectral moon, Document Journal’s Halloween soirée brought Jean’s to life with Dee Diggs, Sterling Juan Díaz, Kembra Pfahler, and Narcissister...
Photography Bruce Gilden’s neorealismo The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in...
Art Soren Hope paints what the eye can’t hold For their New York debut, the artist blurs the real and the abstract, bending illusion to explore what it means to truly see
Nightlife FLINTA visionaries Dominga and Volvox wield mind, body, and soul to disarm nightlife As partners in life and work, they DJ, perform punk shows, study music, and finish each other’s sentences—in conversation with Katie Rex, featuring portraits by...
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett Above the Fold The Dreamachine, the execution, and the specter of William S. Burroughs Rick Castro tells three intersecting stories about the legend of the Beat Hotel by Rick Castro
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett
Above the Fold The Dreamachine, the execution, and the specter of William S. Burroughs Rick Castro tells three intersecting stories about the legend of the Beat Hotel by Rick Castro
