A truth which any intellectually honest critic will recognize Photographer Liz Collins, beauty editor Siddhartha Simone, and fashion editor Éline Hoyois. collaborate on this beauty portfolio for Notes on Beauty's first issue
Fashion Rick Owens Spring/Summer 2026: To bathe in the ‘Temple of Love’ Named after Owens's retrospective which opened directly following the show, the collection was a baroque-inspired, leather-filled homage to the designer's career
Photography “Did anything happen in Leeds–yes, yes it did” In ‘Melanie and the Miners’ Strike,’ artist Victoria Gill reframes cultural memory with her mother’s glam snapshots of the 1980s in Northern England
The capacity to be overwhelmed by the beautiful is astonishing Photographer Jean Marques, Beauty Editor Lucy Bridge, and Fashion Editor Joel Traptow collaborate on this beauty portfolio for Notes on Beauty's first issue
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone At Large Vietnam’s “plastic village” is the tale of Western excess For Document's Spring/Summer 2020 issue, photographer Laurence Ellis traveled to Australia, Zambia, and Vietnam to investigate what might become of the planet by Clara Malley
Above the Fold Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay On view at Management Gallery, the painter’s latest solo show presents a not-so-far-off future obsessed with spectacle, where nostalgic glamor and necrosis entwine by Jesse Firestone
At Large Vietnam’s “plastic village” is the tale of Western excess For Document's Spring/Summer 2020 issue, photographer Laurence Ellis traveled to Australia, Zambia, and Vietnam to investigate what might become of the planet by Clara Malley