Fashion Closed stalls and open doors in Alessandro Michele’s Valentino For Fall/Winter 2025, the maximalist designer probes community and privacy with a panoptic showcase
Art Wax, fire, and the Getty name At her L.A. Frieze Week exhibition, 'Mirror of Influence,' heir and artist Kendalle Getty's provocative works literally dissolve, exploring her journey from rejecting her famous...
Art SCAD’s deFINE ART challenges the Bible Belt In its 16th edition, the deFINE ART symposium showcases ten exhibitions that confront identity, heritage, and belonging in America's Deep South
Art In the rearview mirror of Kenneth Tam’s ‘The Medallion’ Recently on view at Bridget Donahue, the Queens-born artist's solo exhibition is a multimedia intervention on broken dreams and the taxi medallion crisis
Above the Fold Netflix’s ‘Blonde’ claims to take aim at abusers, but Marilyn winds up in the crosshairs “The real tragedy of ‘Blonde’ is that these people got away with fictionalizing a real woman beyond recognition.” by Lee Phillips Above the Fold Bang, bang: the contemporary politics of violence on screen From ‘Joker’ to ‘Taxi Driver,’ ‘cultural critique’ was long used as the justification for onscreen violence by white men. Here are the filmmakers with a... by Tia Glista
Above the Fold Netflix’s ‘Blonde’ claims to take aim at abusers, but Marilyn winds up in the crosshairs “The real tragedy of ‘Blonde’ is that these people got away with fictionalizing a real woman beyond recognition.” by Lee Phillips
Above the Fold Bang, bang: the contemporary politics of violence on screen From ‘Joker’ to ‘Taxi Driver,’ ‘cultural critique’ was long used as the justification for onscreen violence by white men. Here are the filmmakers with a... by Tia Glista
