Art Kingsley Ifill is in no rush In his latest exhibition, 'Blue Roan' at Hannah Barry Gallery in London, the artist brings together 15 years of instinct-driven image-making, carving frames by hand,...
Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
