Photography In ‘DENTRO,’ Jester Bulnes is preoccupied with parallels, pairs, and the in-between The artist’s first photobook is diaristic and investigative, marking stages in the evolution of the their character, and exploring grounds for its further expansion
Nightlife Daytripping: Ghost dance In her bi-weekly column for Document, McKenzie Wark tells a tale of two boroughs, two generations, and what we’ve lost and found through nightlife
Music Age, anger, and anxiety: The doctrine of Sleaford Mods Following the release of ‘UK GRIM,’ Jason Williamson and Andrew Fearn join Document to disclose why they’ll keep going until they “drop dread”
Art Chase Hall mines memory, bearing witness to personal histories Following the opening of ‘The Close of the Day,’ the artist joins Document to discuss code switching and the American South
Above the Fold Saint Laurent reimagines its motifs, and the art that informed them Drawing inspiration from Martha Graham’s ‘Lamentation,’ Anthony Vaccarello’s Summer 2023 collection explored the influence of the hood on visual culture by Morgan Becker Above the Fold Brendan Fernandes reinterprets Isamu Noguchi and Martha Graham’s ‘strange beauty’ The Kenyan-born artist and choreographer on 'Contract and Release,' the performance he choreographed for The Noguchi Museum. by Ann Binlot
Above the Fold Saint Laurent reimagines its motifs, and the art that informed them Drawing inspiration from Martha Graham’s ‘Lamentation,’ Anthony Vaccarello’s Summer 2023 collection explored the influence of the hood on visual culture by Morgan Becker
Above the Fold Brendan Fernandes reinterprets Isamu Noguchi and Martha Graham’s ‘strange beauty’ The Kenyan-born artist and choreographer on 'Contract and Release,' the performance he choreographed for The Noguchi Museum. by Ann Binlot
