Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
