Music Snow in the ashes of Coachella In the dreary Coachellscape, the electronic duo Snow Strippers offers a nostalgic reminder of a time when music festivals were still fun
Art Thou shalt not make images—but what if AI does? In anticipation of his upcoming performance as Father Bartholomew Mary, Gideon Jacobs speaks with Trevor Paglen on how humanity’s ancient anxieties around visual representation are...
Art Karl Lagerfeld’s Memphis dream, revived by Francesco Vezzoli Design meets desire in Vezzoli’s Monte Carlo show, a vivid reconstruction of Lagerfeld’s 1980s fantasy apartment—and a reflection on queer interior worlds
Music Moses Sumney finds rhythm in relation On the heels of two back-to-back shows at Pioneer Works previewing his upcoming album, the musician-actor sits down with Document to discuss its sonic drivers...
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
Above the Fold 1984 or 2022? An Orwellian interpretation of ‘Stars At Noon’ The latest film by French director Claire Denis doesn’t describe a dystopia to come, but one which has already settled in to stay by Noah Berlatsky
Conversations Margaret Qualley and Miranda July are embracing the power of pretend For Document’s Winter 2021/Resort 2022 issue, the two creative multihyphenates discuss make-believe worlds, roleplaying with the ones you love, and why their friendship has prevented... by Camille Sojit Pejcha
