Fashion Officine Générale’s portraits of persona Photographer Laurence Ellis and stylist Giovanni Laudicina take an introspective approach with these never-before-seen photos
Music Watch ‘Composition Master Class: Trapanese,’ from the Balenciaga Music Series Tune into the livestream starting at 4pm EST for the latest installment of the Parisian brand’s tribute programming to the late ‘Mulholland Drive’ composer Angelo...
Music Drazzit’s playlist to call forth the night muse The DJ, producer, and record label co-founder sends us careening into a sonic vortex via this collection of other-worldly tracks
Art ‘Copy Machine Manifestos: Artists Who Make Zines’ memorializes a forgotten archive During the exhibition’s final days at the Brooklyn Museum, writer and philosopher FT wonders: Can institutions handle zines?
At Large Revisiting Suck magazine’s experiment in radical feminist pornography Lynne Tillman and other contributors to Suck magazine look back and analyze the legacy that the transgressive magazine left behind. by Alison M. Gingeras At Large The Energy of a New Moment As the chaos of 2017 gives way to a new year, Document asked a number of artists, writers, musicians, and designers to sum up an... by Nathan Taylor Pemberton Conversations Wrestler Studies by Carroll Dunham The artist discusses his creative philosophy and the impetus behind this series of visceral drawings with novelist and critic Lynne Tillman. by Lynne Tillman
At Large Revisiting Suck magazine’s experiment in radical feminist pornography Lynne Tillman and other contributors to Suck magazine look back and analyze the legacy that the transgressive magazine left behind. by Alison M. Gingeras
At Large The Energy of a New Moment As the chaos of 2017 gives way to a new year, Document asked a number of artists, writers, musicians, and designers to sum up an... by Nathan Taylor Pemberton
Conversations Wrestler Studies by Carroll Dunham The artist discusses his creative philosophy and the impetus behind this series of visceral drawings with novelist and critic Lynne Tillman. by Lynne Tillman