Film Charting a course through Wim Wenders’s filmography Document drafts a roadmap through the New German Cinema pioneer’s must-see works following remarkable critical reception of his latest film, ‘Perfect Days’
Music Aïsha Devi lives in the fifth dimension Ahead of her live performance set at Barcelona’s upcoming Sònar Festival, the Swiss-Nepali artist talks metaphysics, trance states, and her latest album ‘Death Is Home’
Literature Fine Print: Like letting the world read your diary Columnist Drew Zeiba considers the risks of leaving a record through the journals of Sheila Heti, Virginia Woolf, and Tina Brown
Art During Salone del Mobile, Zegna debuts ‘Born in Oasi,’ a book dedicated to the brand’s historied relationship to nature The Italian luxury brand transformed its headquarters in Milan’s design district into an interactive exhibit designed to connect high fashion and environmental consciousness
Above the Fold Cultural appropriation is bad, but we wouldn’t have hip hop without it From viral dances to ‘American Dirt,’ author Lauren Michele Jackson explains the difference between creative evolution and cultural theft. by Miss Rosen
Above the Fold Cultural appropriation is bad, but we wouldn’t have hip hop without it From viral dances to ‘American Dirt,’ author Lauren Michele Jackson explains the difference between creative evolution and cultural theft. by Miss Rosen
