Art How FUZE is reshaping Bahamian Art—and taking it global At Nassau’s Baha Mar resort, a homegrown art fair is building the Bahamas’s cultural future by bridging local creativity, regional collaboration, and global recognition
Art Once upon a time, fashion got dirty “Dirty Looks,” the Barbican’s new show, remembers when grime and ruin were a language of truth and spotlights the contemporary designers still in the muck
Nightlife Moonlight and mayhem on Lafayette Under the glow of a spectral moon, Document Journal’s Halloween soirée brought Jean’s to life with Dee Diggs, Sterling Juan Díaz, Kembra Pfahler, and Narcissister...
Photography Bruce Gilden’s neorealismo The Magnum photographer’s latest body of work, currently on view at the Leica Store & Gallery, is a striking signature snapshot of eight days in...
Above the Fold Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships by Kate Zambreno At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett
Above the Fold Desiring literature with Nate Lippens and Kate Zambreno Following Semiotext(e)‘s release of Lippens’s ‘Ripcord’ and ‘My Dead Book,’ the authors trace consciousnesses of queerness and class through both novels and friendships by Kate Zambreno
At Large Shapeshifting press Semiotext(e)’s five decades of politics and poetics For Document’s Fall/Winter 2024–25 issue, Whitney Mallett talks to co-editors, writers, and collaborators of the legendary publisher of theory and fiction by Whitney Mallett
