Art Ballroom Marfa celebrates two decades of mystery and subversion The contemporary art organization located in Texas’s enigmatic desert highlights dozens of artists in a new publication and at aa Manhattan gala
Art Artist Lorenzo Amos paints domestic space as a site for revelation and togetherness In his debut solo show ‘No Regrets Because You’re My Sunshine,’ depictions of a social network reveal the creative self
“Hope, however, is an act of faith and has to be sustained by other concrete actions.” Photographer Drew Jarrett and Style Director Ronald Burton III collaborate on this fashion portfolio for Document’s Fall/Winter 2024–25 issue
Redefining intelligence through intuition From medieval mystics to modern radicals, for Document’s Fall/Winter 2024–25 issue, Ananda Yin explores the suppressed potency of intuitive knowledge
Above the Fold Revelations of Truth At Documenta 14 in Athens, Greece, permissions to transform contemporary understanding of cultural history in the art world emerge. by Justin Polera Conversations Performa founder RoseLee Goldberg and artist Shirin Neshat reflect on the performance art biennial Performance art maven RoseLee Goldberg meets Shirin Neshat at her downtown New York home and discuss taking risks and performance art’s place in art history. by Justin Polera Above the Fold Revisiting “H {N)Y P N(Y} OSIS” by Philippe Parreno at the Armory The exhibition H {N)Y P N(Y} OSIS which closed last week, was something of a love letter from the French artist Philippe Parreno to the... by Justin Polera Above the Fold Volatile Smile: A Conversation with Beate Geissler and Oliver Sann Beate Geissler and Oliver Sann are both a couple and multi-media artist duo, collaborating since 1996. After a high frequency trading company threatened to sue... by Justin Polera Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera Above the Fold Ed Atkins “Recent Ouija” at The Stedelijk Museum Three of the great themes in art remain: love, death, and god—or the lack there of. In the new exhibition on until May 31 2015... by Justin Polera Above the Fold Learn to Read Art: A History of Printed Matter by Justin Polera
Above the Fold Revelations of Truth At Documenta 14 in Athens, Greece, permissions to transform contemporary understanding of cultural history in the art world emerge. by Justin Polera
Conversations Performa founder RoseLee Goldberg and artist Shirin Neshat reflect on the performance art biennial Performance art maven RoseLee Goldberg meets Shirin Neshat at her downtown New York home and discuss taking risks and performance art’s place in art history. by Justin Polera
Above the Fold Revisiting “H {N)Y P N(Y} OSIS” by Philippe Parreno at the Armory The exhibition H {N)Y P N(Y} OSIS which closed last week, was something of a love letter from the French artist Philippe Parreno to the... by Justin Polera
Above the Fold Volatile Smile: A Conversation with Beate Geissler and Oliver Sann Beate Geissler and Oliver Sann are both a couple and multi-media artist duo, collaborating since 1996. After a high frequency trading company threatened to sue... by Justin Polera
Above the Fold Document’s 10 Must-Sees at Art Basel 2015 Art Basel runs like a Swiss clock, flawlessly operated and enjoying its 46th edition. At the helm is the French-American director Marc Spiegler; if ever... by Justin Polera
Above the Fold Ed Atkins “Recent Ouija” at The Stedelijk Museum Three of the great themes in art remain: love, death, and god—or the lack there of. In the new exhibition on until May 31 2015... by Justin Polera