Art Rabin Huissen’s ‘Selective Memory’ seeks balance between the organic and the man-made In his diaristic exhibition at Sōko, the artist explores the hallmarks of the natural world, and adds his own imprint to them
Film Nicolas Cage and John Carpenter are cinema’s most studious eccentrics For Document’s Winter/Resort 2023 issue, the horror master and the movie star expound on a possible curriculum for the apocryphal Nicolas Cage University
Culture Document Journal launches Winter/Resort 2023: The Fabric of America For the second half of our tenth anniversary celebration, we widen our aperture from the city outside our window to examine America as a whole—or,...
Art Maxwell Alexandre transposes familial realities into a labyrinthian extension of home In ‘Pardo é Papel,’ the painter presents large-scale figurative paintings driven by anthropological note-taking and his roots in Rocinha
Above the Fold Jeremy O. Harris on cinematic confections, speaking drunk french, and manifesting his role in ‘Emily in Paris’ In a video directed by Michael Seater for Document, the world renowned playwright and It Boy shows the titular character how it’s done by Megan Hullander Above the Fold Meet Ross Days, the triple fire sign who became Jeremy O. Harris’s latest muse Kimberly Drew speaks to New York’s favorite SoulCycle instructor-turned-actor about his passion for social work and the importance of black, queer representation. by Kimberly Drew
Above the Fold Jeremy O. Harris on cinematic confections, speaking drunk french, and manifesting his role in ‘Emily in Paris’ In a video directed by Michael Seater for Document, the world renowned playwright and It Boy shows the titular character how it’s done by Megan Hullander
Above the Fold Meet Ross Days, the triple fire sign who became Jeremy O. Harris’s latest muse Kimberly Drew speaks to New York’s favorite SoulCycle instructor-turned-actor about his passion for social work and the importance of black, queer representation. by Kimberly Drew
