Music ‘DEATHWORK’ is Kamixlo’s ode to the angels of noise The Brixton-based DJ and producer discusses his sophomore album’s genre-rebelling mix of existential introspection and rave-ready beats
Literature Roving literary event Casual Encounterz prioritizes the pen over the persona Following stints in Mexico City and LA, writer Sammy Loren brings his reading series to NYC to highlight a mix of fiction heavy hitters and...
Art PPOW’s current exhibition ‘Airhead’ schools viewers on the art of education Curated by Timmy Simonds and gallery director Eden Deering, the group show and performance program dissects the powers and possibilities of the classroom
Film ‘National Anthem’ is a portal into the beauty of queer rural America Named after his earlier monograph, the debut feature film by photographer Luke Gilford brings the rodeo stars of his book to the big screen
Above the Fold Caitlin MacBride and Julia Weist question the institutional archive For Document, the artists meet to discuss object theory, museum hierarchies, and the responsibilities of creatives who grapple with American stories by Morgan Becker Above the Fold Julia Weist’s ‘Governing Body’ questions what we deem indecent in the scope of mainstream cinema The film rating system has a history of stigmatizing the female body. Is that their fault, or ours? by Morgan Becker
Above the Fold Caitlin MacBride and Julia Weist question the institutional archive For Document, the artists meet to discuss object theory, museum hierarchies, and the responsibilities of creatives who grapple with American stories by Morgan Becker
Above the Fold Julia Weist’s ‘Governing Body’ questions what we deem indecent in the scope of mainstream cinema The film rating system has a history of stigmatizing the female body. Is that their fault, or ours? by Morgan Becker